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"This book is an ambitious and original piece of literary criticism that recounts
the presence of multispecies soundscapes in twenty-first-century fiction and
their functions as human responses to/engagement with nonhuman sound. De
Bruyn pulls the frameworks of contemporary literature, animal studies and
sound studies together to tell us that there are many ways to listen to the natural world, and that contemporary literature should not be underestimated for the opportunities it offers to do so."
University of Roehampton, UK
The contemporary novel is not as silent as we tend to believe, nor does it only
attend to human plots and characters. As this book shows, writers in a range of
subgenres have devoted considerable attention to the voices of nonhuman
animals, and to the histories and technologies of listening that shape twenty-
first-century cultures and environments. In doing so, their multispecies novels
illuminate the cultural meanings we attach to creatures like dogs, frogs, whales,
chimpanzees, and Tasmanian tigers - not to mention various bird species and
even plants. At the same time, these stories explore the attitudes of distinct
communities of human listeners, ranging from vets and musicians to chimp
caretakers and sonar technicians. In highlighting animal sounds and their cultural
meanings, these novels by authors including Amitav Ghosh, Julia Leigh, Richard
Powers, Karen Joy Fowler, Cormac McCarthy, and Han Kang also enrich pressing
debates about species extinction, sound pollution, nonhuman communication,
and human-animal relations. As we are violently reshaping the planet,they invite
us to reimagine our own humanity and animality - and to rethink how we tell
stories about multispecies contact zones and their complex soundscapes.
Ben De Bruyn teaches English Literature at the University of Louvain-la-Neuve,
Belgium. He is the co-editor of Literature Now (2016) and the author of several
articles on contemporary fi ction and the environmental humanities in journals
like Studies in the Novel and Textual Practice.
Auteur
Ben De Bruyn teaches English Literature at the University of Louvain-la-Neuve, Belgium. He is the co-editor of Literature Now (2016) and the author of several articles on contemporary fi ction and the environmental humanities in journals like Studies in the Novel and Textual Practice.
Résumé
The contemporary novel is not as silent as we tend to believe, nor does it only attend to human plots and characters. As this book shows, writers in a range of subgenres have devoted considerable attention to the voices of nonhuman animals, and to the histories and technologies of listening that shape twenty-first-century cultures and environments. In doing so, their multispecies novels illuminate the cultural meanings we attach to creatures like dogs, frogs, whales, chimpanzees, and Tasmanian tigers not to mention various bird species and even plants. At the same time, these stories explore the attitudes of distinct communities of human listeners, ranging from vets and musicians to chimp caretakers and sonar technicians. In highlighting animal sounds and their cultural meanings, these novels by authors including Amitav Ghosh, Julia Leigh, Richard Powers, Karen Joy Fowler, Cormac McCarthy, and Han Kang also enrich pressing debates about species extinction, sound pollution, nonhuman communication, and human-animal relations. As we are violently reshaping the planet, they invite us to reimagine our own humanity and animality and to rethink how we tell stories about multispecies contact zones and their complex soundscapes.
Contenu
1. Introduction: Multispecies Fictions and Their Acoustic Contact Zones2. Biodiversity's Bandwidth3. Polyphony Beyond the Human4. Multispecies Multilingualism5. Reading the Animal Pulse6. Whale Song in Submarine Fiction7. Conclusion: Sonic Curiosity at the End of the World