They're Going to Love You

Informationen zum Autor Meg Howrey Klappentext "A magnetic tale of betrayal, art, and ambition, set in the world of professional ballet, New York City during the AIDS crisis, and present-day Los Angeles Carlisle Martin dreams of becoming a professional ballet dancer just like her mother, Isabel, a former Balanchine ballerina. Since they live in Ohio, she only gets to see her father Robert for a few precious weeks a year when she visits Greenwich Village, where he lives in an enchanting apartment on Bank Street with his partner, James. Brilliant but troubled, James gives Carlisle an education in all that he holds dear in life-literature, music, and most of all, dance. Seduced by the heady pull of mentorship and the sophistication of their lives, Carlisle's aspiration to become a dancer herself blooms, born of her desire to be asked to stay at Bank Street, to be included in Robert and James' world even as AIDS brings devastation to their community. Instead, a passionate love affair creates a rift between them, with devastating consequences that reverberate for decades to come. Nineteen years later, Carlisle receives a phone call which unravels the fateful events of her life, causing her to see with new eyes how her younger self has informed the woman she's become. They're Going to Love You is a gripping and gorgeously written novel of heartbreaking intensity. With psychological precision and a masterfully revealed secret at its heart, it asks what it takes to be an artist in America, and the price of forgiveness, of ambition, and of love"-- Leseprobe Gods Feel what I feel. Stand with your legs together, toes pointing forward. Open your hips so the backs of your knees are touching. Slide the heel of one foot in front of the other until it meets the toes. This is fifth position. Under certain conditions (flexibility, training) your two feet will be firmly locked together: heel to toe and toe to heel. Your knees will be straight, your pelvis will sit squarely above your knees. It's not natural but it is elegant. Da Vinci's Vitruvian Man but pulled together and not human spreading all over the place. Contained. Fifth is a position to begin things from. Fifth is a frequent point of return. It's also itself. Movement. Dance, even if it is still. See what I see. James is teaching class. He wears a soft T-shirt and a pair of loose sweatpants. The soles of his dance sneakers are split like ballet slippers so he can demonstrate a pointed toe more easily. He's a little vain about his feet, their high arches. . . . And contain, James says, as the dancers close their legs to fifth position. . . . And contain. The class--at an Upper West Side New York City studio--is by invitation or introduction only and filled with professionals. I picture the dancers, spaced out along the barres lining three sides of the room. I see the additional freestanding barres in the center, a spot where I might have stood. I'm not there. This is part of a story that was told to me. James is prowling the studio in his soft clothes, his soft shoes. Not prowling. Gliding. He doesn't appear to scrutinize the dancers, but they're aware of his gaze, mild but penetrating. . . . And contain, he says. The dancers think they know what he means by containment. He's asking them to keep their upper bodies still and placed, to not let the motions of the legs disturb the carriage of the torso. To come firmly to fifth position and not rush through or blur the moment. James means a little more than that. He always means a little more. He raises his hand and says, Thank you, Masha, which is Masha's cue to stop playing the Chopin mazurka she's been plunking out with heavy-handed precision. Masha lifts her hands from the keyboard and picks up the New York Post. James walks slowly to one of the center barres, where everyone in the room can...

Auteur

Meg Howrey

Résumé
*A *NEW YORK TIMES BEST BOOK OF THE MONTH • A DECEMBER 2022 BELLETRIST BOOK CLUB PICK • A gripping novel set in the world of professional ballet, New York City during the AIDS crisis, and present-day Los Angeles. • "Beautiful...Howrey, a former dancer with the Joffrey Ballet, proves herself a talented choreographer in her own right...[A] finger-trap puzzle of a plot."—New York Times Book Review

“They’re Going to Love You is my idea of a perfect book. It is about art, life, death, love, and family and it is beautifully and sharply written. I cried several times while reading it, and was sorry to let it go when I was done. I cannot recommend it enough.” —Jami Attenberg, New York Times bestselling author of The Middlesteins and All This Could Be Yours

Throughout her childhood, Carlisle Martin got to see her father, Robert, for only a few precious weeks a year when she visited the brownstone apartment in Greenwich Village he shared with his partner, James. Brilliant but troubled, James gave Carlisle an education in all that he held dear in life—literature, music, and, most of all, dance.

Seduced by the heady pull of mentorship and hoping to follow in the footsteps of her mother—a former Balanchine ballerina—Carlisle’s aspiration to become a professional ballet dancer bloomed. But above all else, she longed to be asked to stay at the house on Bank Street, to be a part of Robert and James’s sophisticated world, even as the AIDS crisis brings devastation to their community. Instead, a passionate love affair created a rift between the family, with shattering consequences that reverberated for decades to come. Nineteen years later, when Carlisle receives a phone call that unravels the events of that fateful summer, she sees with new eyes how her younger self has informed the woman she’s become.

They’re Going to Love You is a gripping and gorgeously written novel of heartbreaking intensity. With psychological precision and a masterfully revealed secret at its heart, it asks what it takes to be an artist in America, and the price of forgiveness, of ambition, and of love.

Échantillon de lecture
Gods

Feel what I feel.

Stand with your legs together, toes pointing forward. Open your hips so the backs of your knees are touching. Slide the heel of one foot in front of the other until it meets the toes. This is fifth position.

Under certain conditions (flexibility, training) your two feet will be firmly locked together: heel to toe and toe to heel. Your knees will be straight, your pelvis will sit squarely above your knees. It’s not natural but it is elegant. Da Vinci’s Vitruvian Man but pulled together and not human spreading all over the place.

Contained.

Fifth is a position to begin things from. Fifth is a frequent point of return. It’s also itself. Movement. Dance, even if it is still.

See what I see.

James is teaching class. He wears a soft T-shirt and a pair of loose sweatpants. The soles of his dance sneakers are split like ballet slippers so he can demonstrate a pointed toe more easily. He’s a little vain about his feet, their high arches.

“. . . And contain,” James says, as the dancers close their legs to fifth position. “. . . And contain.”

The class--at an Upper West Side New York City studio--is by invitation or introduction only and filled with professionals. I picture the dancers, spaced out along the barres lining three sides of the room. I see the additional freestanding barres in the center, a spot where I might have stood. I’m not there. This is part of a story that was told to me.

James is prowling the studio in his soft clothes, his soft shoes. Not prowling. Gliding. He doesn’t appear to scrutinize the dancers, but they’re aware of his gaze, mild but penetrating.

“. . . And …