Abominations

Informationen zum Autor Lionel Shriver 's fiction includes The Mandibles ; Property ; the National Book Award finalist So Much for That ; the New York Times bestseller The Post-Birthday World ; and the international bestseller We Need to Talk About Kevin , adapted for a 2010 film starring Tilda Swinton. Her journalism has appeared in the Guardian , the New York Times , the Wall Street Journal , and many other publications. She's a regular columnist for the Spectator in Britain and Harper's Magazine in the US. She lives in London and Brooklyn, New York. Zusammenfassung A striking collection of essays from the prize-winning, New York Times bestselling author of Should We Stay or Should We Go, So Much for That, and The Post-Birthday World. Novelist, cultural observer, and social satirist Lionel Shriver is among the sharpest talents of our age. A writer who embraces under-expressed, unpopular or downright dangerous points of view, she filets cherished shibboleths and the conformity of thought and attitude that has overtaken us. Bringing together thirty-five works curated from her many columns, features, essays, and op-eds for the likes of the Spectator , the Guardian, the New York Times, Harper's Magazine, the Wall Street Journal, speeches and reviews, and some unpublished pieces, Abominations reveals Shriver at her most iconoclastic and personal. Relentlessly skeptical, cutting, and contrarian, this collection showcases Shriver's piquant opinions on a wide range of topics, including religion, politics, illness, mortality, family and friends, tennis, gender, immigration, consumerism, health care, and taxes. In her characteristically frank manner, Shriver shrewdly skewers the concept of language crimes, while chafing at arbitrary limitations on speech and literature that crimp artistic expression and threaten intellectual freedom. Each essay in Abominations reflects sentiments that have brought hell and damnation down on my head, as she cheerfully explains, and have threatened her with cancellation more than once. Throughout, Shriver offers insights on her novels and explores the perks and pitfalls of becoming a successful artist. In revisiting old pieces and rejected essays, Shriver updates and expands her thinking. Enlightened progressive readers will find plenty to challenge here. But they may find, to their surprise, insights with which they agree. A timely synthesis of Shriver's expansive work, Abominations reveals this provocative, talented writer at her most assured. ...

Auteur

Although Lionel Shriver has published many novels, a collection of essays, and a column in the Spectator *since 2017, and her journalism has been featured in publications including the *Guardian, the New York Times and the Wall Street Journal, she in no way wishes for the inclusion of this information to imply that she is more “intelligent” or “accomplished” than anyone else. The outdated meritocracy of intellectual achievement has made her a bestselling author multiple times and accorded her awards, including the Orange Prize, but she accepts that all of these accidental accolades are basically meaningless. She lives in Portugal and Brooklyn, New York.

Résumé

“A rare voice, someone who challenges orthodoxies in the way that many journalists and public intellectuals claim to do but don’t. It is bracing to spend time in the company of such a smart, plain-spoken and unpredictable person.”—Wall Street Journal

A striking collection of essays from the prize-winning, New York Times bestselling author of Should We Stay or Should We Go, So Much for That, and The Post-Birthday World.

Novelist, cultural observer, and social satirist Lionel Shriver is among the sharpest talents of our age. A writer who embraces “under-expressed, unpopular or downright dangerous” points of view, she filets cherished shibboleths and the conformity of thought and attitude that has overtaken us.

Bringing together thirty-five works curated from her many columns, features, essays, and op-eds for the likes of the Spectator, the Guardian, the New York Times, Harper’s Magazine, the Wall Street Journal, speeches and reviews, and some unpublished pieces, Abominations reveals Shriver at her most iconoclastic and personal. Relentlessly skeptical, cutting, and contrarian, this collection showcases Shriver’s piquant opinions on a wide range of topics, including religion, politics, illness, mortality, family and friends, tennis, gender, immigration, consumerism, health care, and taxes.

In her characteristically frank manner, Shriver shrewdly skewers the concept of language “crimes,” while chafing at arbitrary limitations on speech and literature that crimp artistic expression and threaten intellectual freedom. Each essay in Abominations reflects sentiments that have “brought hell and damnation down on my head,” as she cheerfully explains, and have threatened her with “cancellation” more than once.

Throughout, Shriver offers insights on her novels and explores the perks and pitfalls of becoming a successful artist. In revisiting old pieces and rejected essays, Shriver updates and expands her thinking. “Enlightened” progressive readers will find plenty to challenge here. But they may find, to their surprise, insights with which they agree.

A timely synthesis of Shriver's expansive work, Abominations reveals this provocative, talented writer at her most assured.