“The Sighthill tenement where Shuggie Bain, Stuart’s Booker Prize–winning debut, unfurled is glimpsed in his follow-up, set in the 1990s in an adjacent neighborhood. You wouldn’t think you’d be eager to return to these harsh, impoverished environs, but again this author creates characters so vivid, dilemmas so heart-rending, and dialogue so brilliant that the whole thing sucks you in like a vacuum cleaner . . . Romantic, terrifying, brutal, tender, and, in the end, sneakily hopeful. What a writer.”—Kirkus Reviews (starred review)

“The astonishing sophomore effort from Booker Prize winner Stuart details a teen’s hard life in north Glasgow in the post-Thatcher years . . . Stuart’s writing is stellar . . . He’s too fine a storyteller to go for a sentimental ending, and the final act leaves the reader gutted. This is unbearably sad, more so because the reader comes to cherish the characters their creator has brought to life. It’s a sucker punch to the heart.”—Publishers Weekly (starred review)

“A searing, gorgeously written portrait of a young gay boy trying to be true to himself in a place and time that demands conformity to social and gender rules . . . Stuart’s tale could be set anywhere that poverty, socioeconomic inequality, or class struggles exist, which is nearly everywhere. But it is also about the narrowness and failure of vision in a place where individuals cannot imagine a better life, where people have never been outside their own neighborhood . . . Stuart’s prize-winning, best-selling debut, Shuggie Bain, ensures great enthusiasm for his second novel of young, dangerous love.”—Booklist (starred review)

“After the splendid Shuggie Bain, Stuart continues his examination of 1980s Glaswegian working-class life and a son’s attachment to an alcohol-ravaged mother, with results as good yet distinctly different . . . In language crisper and more direct than Shuggie Bain’s, if still spiked with startling similes, Stuart heightens his exploration of the sibling bond and the inexplicable hatred between Glasgow’s Protestants and Catholics, while contrasting Mungo’s tenderly conveyed queer awakening with the awful counterpart of sexual violence. Highly recommended.”—*Library Journal *(starred review)

“Readers will be happy to learn that Stuart’s follow-up, Young Mungo, is even stronger than his first book . . . A marvelous feat of storytelling, a mix of tender emotion and grisly violence that finds humanity in even the most fraught circumstances.”—BookPage (starred review)

“Stuart shines in familiar territory, writing profoundly about love, brutality, strength and courage.”—Newsweek

“Exploring themes of religious conflict, family tension, and the ever-present danger of attempting to live an authentic life, Stuart writes with the same power and economy of language he displayed in his debut. With characters that are exquisitely drawn and a story you won’t be able to put down, this love story goes far beyond the conventional romance.”—BuzzFeed

“Another triumph . . . With a gentleness that defies the hard-scrap poverty and social order around him, Mungo is a character you root for; Young Mungo feels both cinematic and so intimate you don’t want it to end.”—Amazon Book Review, “Editors’ Picks”

“Prepare your hearts, for Douglas Stuart is back. After the extraordinary success of Shuggie Bain, his second novel, Young Mungo, is another beautiful and moving book, a gay Romeo and Juliet set in the brutal world of Glasgow’s housing estates.”—Observer

“I wasn’t sure Young Mungo could live up to Shuggie Bain, but it surpasses it. Deeply harrowing but gently infused with hope and love. And so exquisitely written. It’s a joy to watch, in real time, as Douglas Stuart takes his place as one of the greats of Scottish literature.”—Nicola Sturgeon

“Few novels are as gutsy and gut-wrenching as Young Mungo in its depiction of a teenage boy who finds love amid family dysfunction, community conflict and the truly terrible predations of adults. Vividly realised and emotionally intense, this scorching novel is an urgent addition to the new canon of unsung stories.”—Bernardine Evaristo, Booker Prize-winning author of Girl, Woman, Other

“Some novels can be admired, others enjoyed. But it is a rare thing to find a story so engrossing, bittersweet and beautiful that you do not so much read it, as experience it. It is this quality Young Mungo possesses—an intense, lovely, brutal thing. Stuart is a masterful storyteller.”—*Kiran Millwood Hargrave, author of *The Mercies

Praise for Shuggie Bain:

WINNER OF THE BOOKER PRIZE
New York Times Bestseller
Winner of the American Academy of Arts and Letters Sue Kaufman Prize for First Fiction
Named the Best Book of the Year at the British Book Awards 2021
Finalist for the National Book Award, the Kirkus Prize, the National Book Critics Circle John Leonard Prize, the PEN/Hemingway Award for Debut Novel, the L.A. Times Art Seidenbaum Award for First Fiction, and the Lambda Literary Award for Gay Fiction
Shortlisted for the Center for Fiction First Novel Prize
Longlisted for the Andrew Carnegie Medal, the Orwell Prize for Political Fiction, and the 2021 Rathbones Folio Prize
The Waterstones Scottish Book of the Year 2020
Shortlisted for the Books Are My Bag Breakthrough Author Award
Named a Best Book of the Year by the Los Angeles Times, NPR, TIME, BuzzFeed, the Economist, the Times (UK), the Independent (UK), the Daily Telegraph (UK), Barnes & Noble, Kirkus Reviews, the New York Public Library, the Chicago Public Library, and the Washington Independent Review of Books

“We were bowled over by this first novel, which creates an amazingly intimate, compassionate, gripping portrait of addiction, courage and love. The book gives a vivid glimpse of a marginalized, impoverished community in a bygone era of British history. It’s a desperately sad, almost-hopeful examination of family and the destructive powers of desire.”—Booker Prize Judges

“This year’s breakout debut . . . It has drawn comparisons to D.H. Lawrence, James Joyce, and Frank McCourt.”—Alexandra Alter, New York Times

“I’m really, really stunned by it. It’s so good. I think it’s the best first book I’ve read in many years . . . It’s a heartbreaking story, and quite hard to read at times, but it’s almost like it’s uplifting on behalf of literature. And it’s written with great warmth and compassion for the characters.”—Karl Ove Knausgaard, Guardian

“The body—especially the body in pain—blazes on the pages of Shuggie Bain . . . This is the world of Shuggie Bain, a little boy growing up in Glasgow in the 1980s. And this is the world of Agnes Bain, his glamorous, calamitous mother, drinking herself ever so slowly to death. The wonder is how crazily, improbably alive it all is . . . The book would be just about unbearable were it not for the author’s astonishing capacity for love. He’s lovely, Douglas Stuart, fierce and loving and lovely. He shows us lots of monstrous behavior, but not a single monster—only damage. If he has a sharp eye for brokenness, he is…