Documentary in the Age of COVID

This volume surveys the immediate effects of the onset of the COVID-19 pandemic in documentary film cultures and provides a space for unpacking the recent past and future of documentary in the context of the pandemic's effects. It reflects the value of documentary as an enduring and influential channel of media discourse and community of practice.

« Documentary in the Age of COVID is a timely and astute volume that affirms and challenges our thinking about how the cultural and technological disruption brought by the pandemic response has upended documentary culture. It is a guiding light for documentary practitioners and scholars as they navigate the new terrain of a post-COVID world.»

(Professor Belinda Smaill, Monash University)

This collection responds to the unusual and disturbing challenges of the COVID-19 pandemic. The volume surveys the immediate effects of the onset of the COVID-19 pandemic in documentary film cultures as well as providing a space for unpacking the recent past and future of documentary in the context of the pandemic's possible effects. It is published as part of Peter Lang's Documentary Film Cultures series and reflects the value of documentary as an enduring and influential channel of media discourse and community of practice. Media producers have been forced to both interrogate their chosen professions and innovate with limited resources. Already, we are seeing new distribution and production methods emerge to highlight the importance of media-makers as essential workers, as they are uniquely equipped with the ability to represent the various dialogues undertaken to respond to the cultural, social, economic and political challenges the pandemic has foisted on global society.

Auteur

Dafydd Sills-Jones is Associate Professor at Te Kura Whakapaho, Te Wananga Aronui o Tamamki Makau Rau (School of Communication Studies, Auckland University of Technology). Dafydd publishes in both traditional scholarly mode (on history in the media, minority language media, documentary culture) and screen practice as research mode, making installations and films that have been screened in several countries and at major international festivals. Previously, Dafydd worked in the media industry in the UK in a number of sectors and roles, including producing, directing and researching documentary, drama-documentary, and interactive non-fiction. Pietari Kp is a Reader in Media and Communications at the University of Warwick. He works in the field of environmental media studies with a specific focus on media management and industry studies. His monograph Environmental Management of the Media: Industry, Policy, Practice (2018) explores the ecological footprint of media production and the policies and strategies developed in the media sector to curtail these impacts. In addition, he is the author of several books on ecocinema, including Transnational Ecocinemas: Film Culture in the Age of Environmental Depravation (with Tommy Gustafsson, 2013).

Texte du rabat

«Documentary in the Age of COVID is a timely and astute volume that affirms and challenges our thinking about how the cultural and technological disruption brought by the pandemic response has upended documentary culture. It is a guiding light for documentary practitioners and scholars as they navigate the new terrain of a post-COVID world.» (Professor Belinda Smaill, Monash University) This collection responds to the unusual and disturbing challenges of the COVID-19 pandemic. The volume surveys the immediate effects of the onset of the COVID-19 pandemic in documentary film cultures as well as providing a space for unpacking the recent past and future of documentary in the context of the pandemic's possible effects. It is published as part of Peter Lang's Documentary Film Cultures series and reflects the value of documentary as an enduring and influential channel of media discourse and community of practice. Media producers have been forced to both interrogate their chosen professions and innovate with limited resources. Already, we are seeing new distribution and production methods emerge to highlight the importance of media-makers as essential workers, as they are uniquely equipped with the ability to represent the various dialogues undertaken to respond to the cultural, social, economic and political challenges the pandemic has foisted on global society.

Contenu

Contents: Setting the scene: Views from the frontline Sandra Gaudenzi and Sandra Tabares-Duque in conversation with Anna Wiehl: Closeness, co-creation and connectivity in times of social distancing and uncertainty Steve Presence and Alice Quigley: The view from the funders: An interview with Doc Society's Sandra Whipham and Lisa Marie Russo Experimental practices and technological innovations Joan Soler-Adillon, Uwe Brunner and Bettina Katja Lange: The Smallest of Worlds : Participation, construction of space and micronarrative in VR-based experimental documentary Kim Munro: Live documentary performance in the time of COVID-19: Ephemeral forms for precarious times Catherine Gough-Brady: Diary of COVID-19 filmmaking Changing documentary perspectives during COVID-19 Eva Novrup Redvall: Childhoods during lockdown: Danish children as documentarians of the COVID-19 pandemic Jian Xu, Qian Gong and Weiwei Xu: «Telling China's anti-pandemic stories well»: Documentaries for public diplomacy and the paradox of China's soft power Institutional responses to disruption Steve Presence: The Documentary Film Council: Developing non-fiction policy frameworks in the COVID-19 pandemic Willemien Sanders and Anna Zoellner: «We're in this together» but not in the same way: Institutional responses to the COVID-19 production stop in the British and Dutch film and television industries Liani Maasdorp: «If you have no savings, you are screwed»: The impact of COVID-19 on documentary film production and distribution in South Africa a story of devastation and innovation.