Modelling Cultural and Art Institutions

The book proposes an institution as a producer of sociality, or a socially and politically concerned and relevant content versus the institution as a producer of an aesthetics that is indifferent to the social reality in which it appears and functions.

How do we think and imagine cultural and art institutions nowadays? How they need to be transformed to meet the needs of the artists and professionals in the field? This book examines the theoretical and practical tensions and questions related to cultural and art institutions in the context of North Macedonia and the wider region of former Yugoslavia. The author explores the needs in the art field of contemporary performing arts (post-dramatic theatre, dance, performance, choreography, etc.) and offers approaches to modelling and governing contemporary performing art institutions from the perspective of the independent cultural and art sector. The book proposes a post-modern cultural and art institution, or a co-institution, based on co-curation and shared leadership as opposed to the traditional or standard model of institution of arts and culture. The author offers an activist, self-organized and horizontal approach to governing, instead of vertical or topbottom, and modelling based on shared policies and a participative approach, instead of authoritarian partocratic policy-making. "Innovative and challenging analysis of the changing realities of the institutional cultural system. Conceptually sophisticated, compelling and with imaginative and ethically relevant solutions, this book is the timely response to the crucial issues in cultural management and cultural policy." - Milena Dragievi ei, prof. emerita, University of Arts Belgrade

Auteur

Biljana Tanurovska - Kjulavkovski is cultural producer, activist in culture, researcher and a curator. She is co-founder of NGO Lokomotiva, Nomad Dance Academy platform (NDA), Kino Kultura (KK) - project space for contemporary performing arts and culture, among other initiatives. She is visiting lecturer on diverse academic programs, writes and publish articles dealing with of cultural policy, international and Balkan cultural cooperation, contemporary performing arts, curating and independent cultural sector. She holds a BA in the History of Art and Archaeology, an MSc in Interculturalism, Cultural Management and Cultural Policy from the University of Arts in Belgrade, and PhD from the Faculty of Drama Arts in Belgrade. In 2019, she won ENCATC International Research Award on Cultural Policy and Cultural Management for her doctoral thesis.

Contenu

1. Institutional horizon - imagining institutions

2. Institutional imagination or a post- institutional paradigm

3. (One) perspective on contemporary performing arts

4. The independent sector as a potential for new modelling

5. Artist driven cultural policies vs top- down policies

6. Performing arts institution - an agent of societal and political transformations