

Beschreibung
Locke's experimental, not to say libertarian, impulse pervades these works, and yet the composer remains grounded in the traditional ethos of strict counterpoint, standing as one of the last champions of the once treasured great polyphonic tradition. More than...| 1 | The Flat Consort for my cousin Kemble: Suite Nr. 5 a-moll/A-Dur | ||
| 1 | 1. Fantazie | 03:10 | |
| 2 | 2. Galliard | 01:13 | |
| 3 | 3. Fantazie | 02:51 | |
| 4 | 4. Saraband | 01:33 | |
| 5 | The Little Consort: Suite Nr. 10 d-moll/D-Dur | 01:33 | |
| 5 | 1. Pavan | 03:00 | |
| 6 | 2. Ayre | 01:14 | |
| 7 | 3. Courante | 01:01 | |
| 8 | 4. Saraband | 00:38 | |
| 9 | The Little Consort: Suite Nr. 7 g-moll/G-Dur | 00:38 | |
| 9 | 1. Pavan | 03:00 | |
| 10 | 2. Ayre | 00:52 | |
| 11 | 3. Courante | 01:05 | |
| 12 | 4. Saraband | 00:48 | |
| 13 | The Little Consort: Suite Nr. 9 B-Dur | 00:48 | |
| 13 | 1. Pavan | 03:08 | |
| 14 | 2. Ayre | 01:33 | |
| 15 | 3. Courante | 00:56 | |
| 16 | 4. Saraband | 00:38 | |
| 17 | The Flat Consort for my cousin Kemble: Suite Nr. 3 d-moll | 00:38 | |
| 17 | 1. Fantazie | 03:31 | |
| 18 | 2. Courante | 01:27 | |
| 19 | 3. Fantazie | 03:07 | |
| 20 | 4. Saraband | 01:45 | |
| 21 | The Little Consort: Suite Nr. 8 a-moll | 01:45 | |
| 21 | 1. Pavan | 02:47 | |
| 22 | 2. Ayre | 01:01 | |
| 23 | 3. Courante | 01:06 | |
| 24 | 4. Saraband | 00:56 | |
| 25 | The Little Consort: Suite Nr. 6 F-Dur | 00:56 | |
| 25 | 1. Pavan | 02:17 | |
| 26 | 2. Ayre | 00:50 | |
| 27 | 3. Courante | 01:06 | |
| 28 | 4. Saraband | 00:39 | |
| 29 | The Flat Consort for my cousin Kemble: Suite Nr. 4 B-Dur | 00:39 | |
| 29 | 1. Fantazie | 03:01 | |
| 30 | 2. Galliard | 01:26 | |
| 31 | 3. Fantazie | 03:48 | |
| 32 | 4. Saraband | 01:35 |