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Beschreibung
Equally well-suited to the demands of the French Baroque as to the high Romanticism of Tchaikovsky and Chopin, Pavel Kolesnikov's attentive musicianship yields predictably revelatory results in the music of Louis Couperin.| 1 | Suite für Klavier d-moll | ||
| 1 | 1. Präludium | 08:35 | |
| 2 | 2. Allemande | 02:11 | |
| 3 | 3. Courante | 02:15 | |
| 4 | 4. Sarabande | 02:59 | |
| 5 | 5. Gavotte | 01:03 | |
| 6 | 6. Canaries | 01:07 | |
| 7 | 7. Chaconne | 03:40 | |
| 8 | Allemande grave F-Dur | 03:12 | |
| 9 | Chaconne F-Dur | 03:34 | |
| 10 | Chaconne oder Passacaglia g-moll | 04:49 | |
| 11 | Suite g-moll | 04:49 | |
| 11 | 1. Allemande | 03:50 | |
| 12 | 2. Courante | 02:25 | |
| 13 | 3. Sarabande | 02:06 | |
| 14 | 4. Gigue c-moll | 02:16 | |
| 15 | 5. Passacaglia | 05:53 | |
| 16 | Tombeau de Mr de Blancrocher | 08:48 | |
| 17 | Suite A-Dur | 08:48 | |
| 17 | 1. Präludium | 03:13 | |
| 18 | 2. Courante | 01:45 | |
| 19 | 3. Sarabande | 02:33 | |
| 20 | 4. Sarabande a-moll | 03:09 | |
| 21 | 5. Gigue | 01:41 | |
| 22 | Pavane fis-moll | 07:56 |