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Beschreibung
Finnish cello player Lilja returns to his classical roots, after years of experience in playing mostly rock and electronic, as well as composing for various projects. By merging the original score with a sonic world, this album presents a unique work that cont...| 1 | Köthen (nach Bachs Suite für Violoncello solo Nr. 1 G-Dur BWV 1007) | ||
| 1 | 1. Präludium | 02:42 | |
| 2 | 2. Allemande | 01:43 | |
| 3 | 3. Courante | 01:12 | |
| 4 | 4. Sarabande | 01:14 | |
| 5 | 5. Menuett 1 - Menuett 2 | 01:35 | |
| 6 | 6. Gigue | 01:09 | |
| 7 | Maria (nach Bachs Suite für Violoncello solo Nr. 2 d-moll BWV 1008) | 01:09 | |
| 7 | 1. Präludium | 04:20 | |
| 8 | 2. Allemande | 01:41 | |
| 9 | 3. Courante | 01:22 | |
| 10 | 4. Sarabande | 02:35 | |
| 11 | 5. Menuett 1 - Menuett 2 | 01:07 | |
| 12 | 6. Gigue | 01:52 | |
| 13 | Anna Magdalena (nach Bachs Suite für Violoncello solo Nr. 3 C-Dur BWV 1009) | 01:52 | |
| 13 | 1. Präludium | 02:45 | |
| 14 | 2. Allemande | 01:44 | |
| 15 | 3. Courante | 01:31 | |
| 16 | 4. Sarabande | 02:03 | |
| 17 | 5. Bourrée 1 - Bourrée 2 | 01:41 | |
| 18 | 6. Gigue | 01:44 | |
| 19 | Leipzig (nach Bachs Suite für Violoncello solo Nr. 4 Es-Dur BWV 1010) | 01:44 | |
| 19 | 1. Präludium | 04:48 | |
| 20 | 2. Allemande | 02:12 | |
| 21 | 3. Courante | 01:54 | |
| 22 | 4. Sarabande | 01:55 | |
| 23 | 5. Bourrée 1 - Bourrée 2 | 02:35 | |
| 24 | 6. Gigue | 01:57 | |
| 25 | Death (nach Bachs Suite für Violoncello solo Nr. 5 c-moll BWV 1011) | 01:57 | |
| 25 | 1. Präludium | 06:11 | |
| 26 | 2. Allemande | 02:48 | |
| 27 | 3. Courante | 01:28 | |
| 28 | 4. Sarabande | 01:33 | |
| 29 | 5. Gavotte 1 - Gavotte 2 | 01:59 | |
| 30 | 6. Gigue | 02:08 | |
| 31 | Eternity (nach Bachs Suite für Violoncello solo Nr. 6 D-Dur BWV 1012) | 02:08 | |
| 31 | 1. Präludium | 04:17 | |
| 32 | 2. Allemande | 03:01 | |
| 33 | 3. Courante | 01:41 | |
| 34 | 4. Sarabande | 02:10 | |
| 35 | 5. Gavotte 1 - Gavotte 2 | 01:59 | |
| 36 | 6. Gigue | 02:14 |