

Beschreibung
Bach hardly ever left his native Saxony, yet he was always up to date on what was going on elsewhere in Europe. Naturally, he paid close attention to innovations from Italy, the cradle of the concertante style, and instilled transalpine sparkle in his brillian...| 1 | Toccata in D Minor: Arpeggio | 00:37 | |
| 2 | Chromatic Fantasia and Fugue, BWV 903: Chromatic Fantasia | 06:09 | |
| 3 | Concerto in D Minor, BWV 974 | 06:09 | |
| 3 | I. (Andante) | 02:39 | |
| 4 | II. Adagio | 03:36 | |
| 5 | III. Presto | 02:38 | |
| 6 | Organ Concerto in D Minor, BWV 596 | 02:38 | |
| 6 | Largo e spiccato | 02:53 | |
| 7 | Organ Concerto in C Major, BWV 594 | 02:53 | |
| 7 | Allegro (cadenza) | 01:58 | |
| 8 | Italienisches Konzert, BWV 971 | 01:58 | |
| 8 | I. [without tempo designation] | 03:52 | |
| 9 | II. Andante | 05:16 | |
| 10 | III. Presto | 04:08 | |
| 11 | Sonata VII for Harpsichord: Adagio | 01:05 | |
| 12 | Concerto in C Major, BWV Anh. 151: Andante | 03:27 | |
| 13 | Prelude in C Minor, BWV 921 | 02:23 | |
| 14 | Concerto in F Major, BWV 978 | 02:23 | |
| 14 | I. Allegro | 02:07 | |
| 15 | II. Largo | 02:38 | |
| 16 | III. Allegro | 02:11 | |
| 17 | Toccata pour clavecin in G Minor, No.6: Largo | 01:28 | |
| 18 | Recorder Concerto in C Major, RV 443: Largo (transcription Justin Taylor) | 03:57 | |
| 19 | Concerto in B Minor, BWV 979: Andante | 00:59 | |
| 20 | Toccata in E Minor, BWV 914 | 07:27 | |
| 21 | Concerto in D Major, BWV 972 | 07:27 | |
| 21 | I. Allegro | 02:10 | |
| 22 | II. Larghetto | 03:33 | |
| 23 | III. Allegro | 02:07 | |
| 24 | Concerto in G Major, BWV 973: Largo | 02:20 |