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| 1 | Amphitheatre (2000) | 10:16 | |
| 2 | Konzert für Viola und Orchester (2004) | 10:16 | |
| 2 | 1. Fragment | 02:46 | |
| 3 | 2. Pursuit | 11:28 | |
| 4 | 3. Veiled and mysterious | 13:42 | |
| 5 | In spe contra spem (für 2 Soprane und Orchester) (2022) | 13:42 | |
| 5 | Full grievous is the way | 05:56 | |
| 6 | In spe contra spem | 02:58 | |
| 7 | We Princes are set on stages | 04:08 | |
| 8 | Were we but as two milkmaids | 03:07 | |
| 9 | La fin de mon long et ennuyeux pèlerinage | 03:36 | |
| 10 | Intermezzo | 01:48 | |
| 11 | I am not so ignorant, gentlemen | 02:43 | |
| 12 | Yet I find no great cause | 04:23 | |
| 13 | Accuse me not of presumption | 02:19 |
| 1 | Konzert für Violoncello und Orchester (2018) | 02:19 | |
| 1 | 1. Extremely intimate, yet flowing and playful | 05:14 | |
| 2 | 2. Slow, dreamy, unhurried | 04:40 | |
| 3 | 3. Allegro agitato sempre | 08:41 | |
| 4 | 4. Fast, rhythmic, relentless | 07:29 | |
| 5 | 5. Slow, spacious, and still | 04:31 | |
| 6 | Three Memorials (2001-06) | 04:31 | |
| 6 | Nr. 1 Dispersal | 04:18 | |
| 7 | Nr. 2 Ceremonial | 07:54 | |
| 8 | Nr. 3 Komarov's Fall | 06:49 | |
| 9 | Notturno inquieto (2018) | 11:51 | |
| 10 | The players (für Akkordeon und Orchester) (2018/19) | 11:51 | |
| 10 | 1. Präludium | 03:43 | |
| 11 | 2. Look, look! Look where my abridgement comes! | 03:14 | |
| 12 | 3. Fanfare. The players arrive. | 02:13 | |
| 13 | 4. Pantomime | 08:20 | |
| 14 | 5. Postludium | 02:08 |