A sparkling new translation of the novel that inspired the most popular stage musical of all time. Rumors abound that a ghost stalks the dark passages and cellars of the Paris Opera House. No one has actually seen this Phantom, but Christine Daaé, a beautiful and talented young singer, has heard his voice. He is her "Angel of Music," coaching her to sing as she never could before. When the handsome Viscount begins to court Christine, the mysterious Phantom-consumed by jealousy-rises up to seek revenge. This new translation of For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Autorentext
Gaston Leroux was born on 6 May 1868 in Paris and after school in Normandy, he returned to Paris to study law. His extreme gambling is well-documented after he squandered the millions he had inherited, narrowly escaping bankruptcy. He worked as a court reporter and theatre critic before landing a job as an international correspondent for Le Matin. During this time Leroux travelled to Russia to experience and report on the Russian Revolution. In 1907 he gave up journalism to become a writer, and quickly found success with Le Mystère de la Chambre Jaune (1908). He became well-known for his popular and acclaimed crime and thriller novels, but Leroux also wrote poetry and short fiction. His most famous work, Le Fantôme de l'Opéra (The Phantom of the Opera), was inspired by a tour of the cellars at the Paris Opera, and published in 1911. The story has been adapted for film and, most notably, for Andrew Lloyd Webber's long-running musical. Gaston Leroux died on 15 April 1927. Mireille Ribière is a freelance author and translator. She holds a PhD in twentieth-century French literature from the University of London and is a well-known specialist of the work of French writer Georges Perec. She has published extensively in the fields of twentieth-century literature, as well as photography and the visual arts.

Klappentext
New to Penguin Clothbound Classics, Gaston Leroux's classic tale of Gothic horror and tragic romance

Rumours that a ghost stalks the dark passages and cellars of the Paris Opera House, wreaking havoc, have long been rife among staff and performers. This Phantom also haunts the imagination of the beautiful and talented singer Christine Daaé, appearing to her as the 'Angel of Music' - a disembodied voice, coaching her to sing as she never could before. When Christine is courted by a handsome young Viscount, the mysterious spectre, who resides in the murky depths of the building, is consumed by jealousy and seeks revenge.

With its pervading atmosphere of menace, tinged with dark humour, The Phantom of the Opera (1910) offers a unique mix of Gothic horror and tragic romance that has inspired film, stage and literature since its publication.