The Count of Monte Cristo

Zusatztext A piece of perfect storytelling. Robert Louis Stevenson Informationen zum Autor Alexandre Dumas was born in 1802 at Villers-Cotterets in France. He received very little education but when he entered the household of the future king, Louis-Philippe, he began to read voraciously and then to write. He is best remembered for his historical novels, The Count of Monte Cristo and The Three Musketeers. Dumas died in 1870. Robin Buss was a writer and translator who worked for the Independent on Sunday and as television critic for The Times Educational Supplement. He published critical studies of works by Vigny and Cocteau, and three books on European cinema, The French Through Their Films (1988), Italian Films (1989) and French Film Noir (1994). He also translated a number of volumes for Penguin Classics. He died in 2006. Klappentext A beautiful clothbound edition of Alexandre Dumas' classic novel of wrongful imprisonment, adventure and revenge. Thrown in prison for a crime he has not committed, Edmond Dantes is confined to the grim fortress of the Château d'If. There he learns of a great hoard of treasure hidden on the Isle of Monte Cristo and becomes determined not only to escape but to unearth the treasure and use it to plot the destruction of the three men responsible for his incarceration. A huge popular success when it was first serialized in the 1840s, Dumas was inspired by a real-life case of wrongful imprisonment when writing his epic tale of suffering and retribution.Chapter I ON FEBRUARY 24, 1815, the watchtower at Marseilles signaled the arrival of the three-master Pharaon, coming from Smyrna, Trieste and Naples. The quay was soon covered with the usual crowd of curious onlookers, for the arrival of a ship is always a great event in Marseilles, especially when, like the Pharaon, it has been built, rigged and laden in the city and belongs to a local shipowner. Meanwhile the vessel was approaching the harbor under topsails, jib and foresail, but so slowly and with such an air of melancholy that the onlookers, instinctively sensing misfortune, began to wonder what accident could have happened on board. However, the experienced seamen among them saw that if there had been an accident, it could not have happened to the ship herself, for she had every appearance of being under perfect control. Standing beside the pilot, who was preparing to steer the Pharaon through the narrow entrance of the harbor, was a young man who, with vigilant eyes and rapid gestures, watched every movement of the ship and repeated each of the pilot's orders. The vague anxiety hovering over the crowd affected one man so much that he could not wait until the ship entered the harbor: he leaped into a small boat and ordered the boatman to row him out to meet the Pharaon. When he saw this man coming toward him, the young sailor left his post beside the pilot and walked over to the side of the ship, holding his hat in his hand. He was a tall, slender young man, no more than twenty years old, with dark eyes and hair as black as ebony. His whole manner gave evidence of that calmness and resolution peculiar to those who have been accustomed to facing danger ever since their childhood. "Ah, it's you, Dantès!" cried the man in the boat. "What's happened? Why does everything look so gloomy on board?" "A great misfortune, Monsieur Morrel!" replied the young man. "We lost our brave Captain Leclère off Civitavecchia." "What about the cargo?" asked the shipowner eagerly. "It arrived safely, Monsieur Morrel, and I think you'll be satisfied on that score, but poor Captain Leclère--" "What happened to him?" asked the shipowner, visibly relieved. "He died of brain fever, in horrible agony. He's now at rest off the Isle of II Giglio, sewed up in his hammock with one cannon ball at his head and another at his feet." T...

ldquo;A piece of perfect storytelling.”—Robert Louis Stevenson

Autorentext

Alexandre Dumas was born in 1802 at Villers-Cotterets in France. He received very little education but when he entered the household of the future king, Louis-Philippe, he began to read voraciously and then to write. He is best remembered for his historical novels, The Count of Monte Cristo and The Three Musketeers. Dumas died in 1870. Robin Buss was a writer and translator who worked for the Independent on Sunday and as television critic for The Times Educational Supplement. He published critical studies of works by Vigny and Cocteau, and three books on European cinema, The French Through Their Films (1988), Italian Films (1989) and French Film Noir (1994). He also translated a number of volumes for Penguin Classics. He died in 2006.

Klappentext

A beautiful clothbound edition of Alexandre Dumas' classic novel of wrongful imprisonment, adventure and revenge.

Thrown in prison for a crime he has not committed, Edmond Dantes is confined to the grim fortress of the Château d'If. There he learns of a great hoard of treasure hidden on the Isle of Monte Cristo and becomes determined not only to escape but to unearth the treasure and use it to plot the destruction of the three men responsible for his incarceration. A huge popular success when it was first serialized in the 1840s, Dumas was inspired by a real-life case of wrongful imprisonment when writing his epic tale of suffering and retribution.

Zusammenfassung
Thrown in prison for a crime he has not committed, Edmond Dantes is confined to grim fortress of the Chateau d'If. There he learns of a great hoard of treasure hidden on Isle of Monte Cristo and becomes determined not only to escape but to unearth the treasure and use it to plot the destruction of the three men responsible for his incarceration.

Leseprobe
Chapter I

ON FEBRUARY 24, 1815, the watchtower at Marseilles signaled the arrival of the three-master Pharaon, coming from Smyrna, Trieste and Naples.

The quay was soon covered with the usual crowd of curious onlookers, for the arrival of a ship is always a great event in Marseilles, especially when, like the Pharaon, it has been built, rigged and laden in the city and belongs to a local shipowner.

Meanwhile the vessel was approaching the harbor under topsails, jib and foresail, but so slowly and with such an air of melancholy that the onlookers, instinctively sensing misfortune, began to wonder what accident could have happened on board. However, the experienced seamen among them saw that if there had been an accident, it could not have happened to the ship herself, for she had every appearance of being under perfect control. Standing beside the pilot, who was preparing to steer the Pharaon through the narrow entrance of the harbor, was a young man who, with vigilant eyes and rapid gestures, watched every movement of the ship and repeated each of the pilot's orders.

The vague anxiety hovering over the crowd affected one man so much that he could not wait until the ship entered the harbor: he leaped into a small boat and ordered the boatman to row him out to meet the Pharaon.

When he saw this man coming toward him, the young sailor left his post beside the pilot and walked over to the side of the ship, holding his hat in his hand. He was a tall, slender young man, no more than twenty years old, with dark eyes and hair as black as ebony. His whole manner gave evidence of that calmness and resolution peculiar to those who have been accustomed to facing danger ever since their childhood.

"Ah, it's you, Dantès!" cried the man in the boat. "What's happened? Why does everything look so gloomy on board?"

"A great misfortune, Monsieur Morrel!" replied the young man. "We lost our brave Captain Leclère off Civitavecchia."

"What about the cargo?" asked the shipowner eagerly.

"It arrived safely, Monsieur Morrel, and I think you'll be satisfied on that score, but poor Captain Leclère--"

"What happened to hi…