Informationen zum Autor Ocean Vuong is the author of the critically acclaimed poetry collections Night Sky with Exit Wounds and Time Is a Mother , as well as the New York Times bestselling novels On Earth We're Briefly Gorgeous and The Emperor of Gladness . A recipient of the MacArthur Fellowship and the American Book Award, he was born in Saigon, Vietnam, and currently splits his time between western Massachusetts and New York City. Klappentext "Take your time with these poems, and return to them often. The Washington Post The New York Times- bestselling collection of poems from the award-winning writer Ocean Vuong How else do we return to ourselves but to fold The page so it points to the good part In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of personal and social loss, embodying the paradox of sitting in grief while being determined to survive beyond it. Shifting through memory, and in concert with the themes of his novel On Earth We're Briefly Gorgeous , Vuong contends with the meaning of family and the cost of being the product of an American war in America. At once vivid, brave, and propulsive, these poems circle fragmented lives to find both restoration as well as the epicenter of the break. The author of the critically acclaimed poetry collection Night Sky with Exit Wounds , winner of the 2016 Whiting Award, the 2017 T. S. Eliot Prize, and a 2019 MacArthur fellowship, Vuong writes directly to our humanity without losing sight of the current moment. These poems represent a more innovative and daring experimentation with language and form, illuminating how the themes we perennially live in and question are truly inexhaustible. Bold and prescient, and a testament to tenderness in the face of violence, Time Is a Mother is a return and a forging forth all at once. Leseprobe I Snow Theory This is the best day ever I haven't killed a thing since 2006 The darkness out there, wet as a newborn I dog-eared the book & immediately Thought of masturbation How else do we return to ourselves but to fold The page so it points to the good part Another country burning on TV What we'll always have is something we lost In the snow, the dry outline of my mother Promise me you won't vanish again, I said She lay there awhile, thinking it over One by one the houses turned off their lights I lay down over her outline, to keep her true Together we made an angel It looked like something being destroyed in a blizzard I haven't killed a thing since Zusammenfassung "Take your time with these poems, and return to them often. The Washington Post The New York Times- bestselling collection of poems from the award-winning writer Ocean Vuong How else do we return to ourselves but to fold The page so it points to the good part In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of personal and social loss, embodying the paradox of sitting in grief while being determined to survive beyond it. Shifting through memory, and in concert with the themes of his novel On Earth We're Briefly Gorgeous , Vuong contends with the meaning of family and the cost of being the product of an American war in America. At once vivid, brave, and propulsive, these poems circle fragmented lives to find both restoration as well as the epicenter of the break. The author of the critically acclaimed poetry collection Night Sky with Exit Wounds , winner of the 2016 Whiting Award, the 2017 T. S. Eliot Prize, and a 2019 MacArthur fellowship, Vuong writes directly to our humanity without losing sight of the current moment. These poems r...

Klappentext

**"Take your time with these poems, and return to them often.” —*The Washington Post

*The New York Times-bestselling collection of poems from the award-winning writer Ocean Vuong

How else do we return to ourselves but to fold
The page so it points to the good part
 
In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of personal and social loss, embodying the paradox of sitting in grief while being determined to survive beyond it. Shifting through memory, and in concert with the themes of his novel On Earth We’re Briefly Gorgeous, Vuong contends with the meaning of family and the cost of being the product of an American war in America. At once vivid, brave, and propulsive, these poems circle fragmented lives to find both restoration as well as the epicenter of the break.
 
The author of the critically acclaimed poetry collection Night Sky with Exit Wounds, winner of the 2016 Whiting Award, the 2017 T. S. Eliot Prize, and a 2019 MacArthur fellowship, Vuong writes directly to our humanity without losing sight of the current moment. These poems represent a more innovative and daring experimentation with language and form, illuminating how the themes we perennially live in and question are truly inexhaustible. Bold and prescient, and a testament to tenderness in the face of violence, Time Is a Mother is a return and a forging forth all at once.