Paul Tremblay''s terrifying twist to the home invasion novel--originally published as The Cabin at the End of the World --now a major motion picture. "Tremblay''s personal best. It''s that good." -- Stephen King Seven-year-old Wen and her parents, Eric and Andrew, are vacationing at a remote cabin on a quiet New Hampshire lake. Their closest neighbors are more than two miles in either direction along a rutted dirt road. One afternoon, as Wen catches grasshoppers in the front yard, a stranger unexpectedly appears in the driveway. Leonard is the largest man Wen has ever seen but he is young, friendly, and he wins her over almost instantly. Leonard and Wen talk and play until Leonard abruptly apologizes and tells Wen, "None of what''s going to happen is your fault". Three more strangers then arrive at the cabin carrying unidentifiable, menacing objects. As Wen sprints inside to warn her parents, Leonard calls out: "Your dads won''t want to let us in, Wen. But they have to. We need your help to save the world." Thus begins an unbearably tense, gripping tale of paranoia, sacrifice, apocalypse, and survival that escalates to a shattering conclusion, one in which the fate of a loving family and quite possibly all of humanity are entwined. Knock at the Cabin is a masterpiece of terror and suspense from the fantastically fertile imagination of Paul Tremblay.

Autorentext

Paul Tremblay is the multiple award-winning, critically acclaimed, New York Times bestselling author of eight previous novels (Horror Movie, The Pallbearers Club, Survivor Song, The Cabin at the End of the World, Disappearance at Devil's Rock, A Head Full of Ghosts, No Sleep Till Wonderland, and The Little Sleep) and two short fiction collections (The Beast You Are and Growing Things). He lives outside of Boston with his family.

Klappentext

A propulsive, heart-palpitating novel of psychological suspense from the Bram Stoker Award–winning author of A Head Full of Ghosts

Seven-year-old Wen and her parents, Eric and Andrew, are vacationing at a remote cabin on a quiet lake in northern New Hampshire. A handful of miles from the Canadian border, far removed from the bustle of city life, cut off from the urgent hum of cell phones and from the internet, they are more than two miles away from their closest neighbors in either direction along an old dirt logging road.

On a cloudless summer day, as Wen catches grass-hoppers in the front yard, a stranger unexpectedly appears. Leonard is the largest man Wen has ever seen, but he is young—twenty-four and a half years old, he tells her—and friendly, with a warm and wide smile that wins her over almost instantly. Leonard and Wen continue to talk and play, until three more strangers, two women and a man, all dressed like Leonard in jeans and button-down shirts, come down the road carrying strange, menacing objects.

In a panic, Wen tells Leonard that she must go back inside the cabin. But before she goes, her new friend tells her, “None of what’s going to happen is your fault. You haven’t done anything wrong, but the three of you will have to make some tough decisions. I wish with all my broken heart you didn’t have to.” As Wen sprints away to warn her parents, Leonard calls out, “Your dads won’t want to let us in, Wen. But they have to. We need your help to save the world. Please.”

The Cabin at the End of the World is an unbearably tense, gripping tale of paranoia, sacrifice, apocalypse, and survival that escalates to a shattering conclusion, one in which the fate of a loving family and quite possibly all of humanity are entwined. Electrifying and haunting, it is a masterpiece of terror and suspense from the fantastically fertile imagination of Paul Tremblay.

Zusammenfassung

Paul Tremblay’s terrifying twist to the home invasion novel—inspiration for the upcoming major motion picture from Universal Pictures

“Tremblay’s personal best. It’s that good.” — Stephen King

Seven-year-old Wen and her parents, Eric and Andrew, are vacationing at a remote cabin on a quiet New Hampshire lake. Their closest neighbors are more than two miles in either direction along a rutted dirt road.

One afternoon, as Wen catches grasshoppers in the front yard, a stranger unexpectedly appears in the driveway. Leonard is the largest man Wen has ever seen, but he is young, friendly, and he wins her over almost instantly. Leonard and Wen talk and play until Leonard abruptly apologizes and tells Wen, “None of what’s going to happen is your fault.” Three more strangers then arrive at the cabin carrying unidentifiable, menacing objects. As Wen sprints inside to warn her parents, Leonard calls out: “Your dads won’t want to let us in, Wen. But they have to. We need your help to save the world.”

Thus begins an unbearably tense, gripping tale of paranoia, sacrifice, apocalypse, and survival that escalates to a shattering conclusion, one in which the fate of a loving family and quite possibly all of humanity are entwined. The Cabin at the End of the World is a masterpiece of terror and suspense from the fantastically fertile imagination of Paul Tremblay.