Informationen zum Autor Jean Anouilh was born in Bordeaux in 1910. He studied law briefly at the Sorbonne and then became a copywriter for an advertising agency. In 1931 he became secretary to the actor-manager, Louis Jouvet, and his first play, The Ermine , was staged the following year. Antigone firmly established his popularity in France in 1944, and Peter Brook's 1950 production of Ring Round the Moon in Christopher Fry's translation made his name in England. His best-known plays are: Restless Heart (1934); Dinner with the Family , Traveller without Luggage (both 1937); Thieves' Carnival (1938); Léocadia (1939); Point of Departure (Eurydice) (1941); Romeo and Jeannette (1945); Medea (1946); Ardèle (1948); The Rehearsal (1950); Colombe (1951); The Waltz of the Toreadors (1952); The Lark (1953); Ornifle (1955); Poor Bitos (1956); Becket (1956); The Fighting Cock (1966); Dear Antoine (1971); The Director of the Opera (1973); Number One (1981). Twice married, he lived mainly in Switzerland for the last thirty years of his life. Anouilh died in 1987. Klappentext 'Anouilh is a poet, but not of words: he is a poet of words-acted, of scenes-set, of players-performing' Peter Brook Jean Anouilh, one of the foremost French playwrights of the twentieth century, replaced the mundane realist works of the previous era with his innovative dramas, which exploit fantasy, tragic passion, scenic poetry and cosmic leaps in time and space. Antigone , his best-known play, was performed in 1944 in Nazi-controlled Paris and provoked fierce controversy. In defying the tyrant Creon and going to her death, Antigone conveyed to Anouilh's compatriots a covert message of heroic resistance; but the author's characterisaation of Creon also seemed to exonerate Marshal Petain and his fellow collaborators. More ambivalent than his ancient model, Sophocles, Anouilh uses Greek myth to explore the disturbing moral dilemmas of our times. Commentary and notes by Ted Freeman."Antigone" was originally produced in Paris in 1942, when France was an occupied nation and part of Hitler's Europe. The play depicts an authoritarian regime and the play's central character, the young Antigone, mirrored the predicament of the French people in the grips of tyranny. Zusammenfassung "Antigone" was originally produced in Paris in 1942, when France was an occupied nation and part of Hitler's Europe. The play depicts an authoritarian regime and the play's central character, the young Antigone, mirrored the predicament of the French people in the grips of tyranny....

Vorwort
"Antigone" was originally produced in Paris in 1942, when France was an occupied nation and part of Hitler's Europe. The play depicts an authoritarian regime and the play's central character, the young Antigone, mirrored the predicament of the French people in the grips of tyranny.

Autorentext
Jean Anouilh was born in Bordeaux in 1910. He studied law briefly at the Sorbonne and then became a copywriter for an advertising agency. In 1931 he became secretary to the actor-manager, Louis Jouvet, and his first play, The Ermine, was staged the following year. Antigone firmly established his popularity in France in 1944, and Peter Brook's 1950 production of Ring Round the Moon in Christopher Fry's translation made his name in England. His best-known plays are: Restless Heart (1934); Dinner with the Family, Traveller without Luggage (both 1937); Thieves' Carnival (1938); Léocadia (1939); Point of Departure (Eurydice) (1941); Romeo and Jeannette (1945); Medea (1946); Ardèle (1948); The Rehearsal (1950); Colombe (1951); The Waltz of the Toreadors (1952); The Lark (1953); Ornifle (1955); Poor Bitos (1956); Becket (1956); The Fighting Cock (1966); Dear Antoine (1971); The Director of the Opera (1973); Number One (1981). Twice married, he lived mainly in Switzerland for the last thirty years of his life. Anouilh died in 1987.

Klappentext

'Anouilh is a poet, but not of words: he is a poet of words-acted, of scenes-set, of players-performing' Peter Brook Jean Anouilh, one of the foremost French playwrights of the twentieth century, replaced the mundane realist works of the previous era with his innovative dramas, which exploit fantasy, tragic passion, scenic poetry and cosmic leaps in time and space. Antigone, his best-known play, was performed in 1944 in Nazi-controlled Paris and provoked fierce controversy. In defying the tyrant Creon and going to her death, Antigone conveyed to Anouilh's compatriots a covert message of heroic resistance; but the author's characterisaation of Creon also seemed to exonerate Marshal Petain and his fellow collaborators. More ambivalent than his ancient model, Sophocles, Anouilh uses Greek myth to explore the disturbing moral dilemmas of our times. Commentary and notes by Ted Freeman.