The third installment in the heartwarming and enchanting Emily Wilde series, about a curmudgeonly scholar of folklore and the fae prince she loves

Emily Wilde has spent her life studying faeries. A renowned dryadologist, she has documented hundreds of species of Folk in her <Encyclopaedia of Faeries<. Now she is about to embark on her most dangerous academic project yet: studying the inner workings of a faerie realm&mdash;as its queen.

Along with her former academic rival&mdash;now fianc&eacute;&mdash;the dashing and mercurial Wendell Bambleby, Emily is immediately thrust into the deadly intrigues of Faerie as the two of them seize the throne of Wendell&rsquo;s long-lost kingdom, which Emily finds a beautiful nightmare filled with scholarly treasures.

Emily has been obsessed with faerie stories her entire life, but at first she feels as ill-suited to Faerie as she did to the mortal world: How can an unassuming scholar such as herself pass for a queen? Yet there is little time to settle in, for Wendell&rsquo;s murderous stepmother has placed a deadly curse upon the land before vanishing without a trace. It will take all of Wendell&rsquo;s magic&mdash;and Emily&rsquo;s knowledge of stories&mdash;to unravel the mystery before they lose everything they hold dear.

Book Three of the Emily Wilde Series

Autorentext
Heather Fawcett is the author of the Emily Wilde series, as well as a number of books for children and young adults, including Ember and the Ice Dragons and The Grace of Wild Thing, and the series Even the Darkest Stars. She has a master’s degree in English literature and a bachelor’s in archaeology. She lives on Vancouver Island.

Klappentext

NEW YORK TIMES BESTSELLER • The third installment in the heartwarming and enchanting Emily Wilde series, about a curmudgeonly scholar of folklore and the fae prince she loves

A GLOBE AND MAIL BEST BOOK OF THE YEAR

Emily Wilde has spent her life studying faeries. A renowned dryadologist, she has documented hundreds of species of Folk in her Encyclopaedia of Faeries. Now she is about to embark on her most dangerous academic project yet: studying the inner workings of a faerie realm—as its queen.

Along with her former academic rival—now fiancé—the dashing and mercurial Wendell Bambleby, Emily is immediately thrust into the deadly intrigues of Faerie as the two of them seize the throne of Wendell’s long-lost kingdom, which Emily finds a beautiful nightmare filled with scholarly treasures.

Emily has been obsessed with faerie stories her entire life, but at first she feels as ill-suited to Faerie as she did to the mortal world: How can an unassuming scholar such as herself pass for a queen? Yet there is little time to settle in, for Wendell’s murderous stepmother has placed a deadly curse upon the land before vanishing without a trace. It will take all of Wendell’s magic—and Emily’s knowledge of stories—to unravel the mystery before they lose everything they hold dear.

**Book Three of the Emily Wilde Series

**Don’t miss any of Heather Fawcett’s charming Emily Wilde series:
EMILY WILDE’S ENCYCLOPAEDIA OF FAERIES • EMILY WILDE’S MAP OF THE OTHERLANDS • EMILY WILDE’S COMPENDIUM OF LOST TALES

Leseprobe
29th December 1910—cont’d

If there is one subject upon which Wendell and I will never agree, it is the wisdom of attempting to drag a cat into Faerie. Even if said animal is a faerie cat; even if we are merely returning her to the world whence she came, still it is the most frustrating process. Wendell and I had lost Orga twice already while navigating the rocky Greek coastline, as she went charging off after mice or gulls, and now, as we stood at long last at the threshold of Wendell’s door, she had vanished again.

“Bloody thing needs to be leashed,” I said, out of spite more than anything. I strongly suspected that if I approached Orga with anything resembling a harness, it would end with me wearing the cat on my head, likely with unfavourable results where my facial features were concerned.

Shadow was at my side, as usual, his snout buried in the fragrant coastal grasses, snuffling busily. He would never abandon me as Orga is so often abandoning Wendell. Dogs are proper companions, not the physical manifestation of caprice.

Wendell made no reply. He had gone still upon first sight of the door, so much so that he might have been some gilded illustration in a storybook, except that his cloak billowed at the hem, stirred by the salt breeze, which also tugged at the golden hair falling into his eyes.

I touched his arm, and he came back to himself, turning to smile at me.

“Em,” he said, “she is a cat. You might as well expect Shadow to disregard your will as assume Orga to be governed by it. Remember her nature.”

“Her malicious, untrustworthy nature,” I said. Naturally the cat reappeared a heartbeat later, as if to spite us both, golden eyes glittering against her black fur, which rippled strangely, like smoke trapped within cat-shaped glass. Shadow, seated by my feet, gave her a weary sort of look and made his usual overture of friendship, nudging Orga gently with his nose. She arched her back and hissed.

“You should give up, dear,” I told him, but the poor dog only looked at me blankly. Shadow’s world was one in which all and sundry either fawned over him or kept a respectful distance from his intimidating bulk. Each time Orga hissed at him, Shadow seemed to assume it a misunderstanding, which grew increasingly improbable as these incidents accumulated, but still less improbable, in his view, than being disliked.

Wendell had gone back to staring at the door—savouring the moment, I suppose. I wondered if he would give a speech or something—after all, he’d spent more than a decade searching for the thing, and now here it was, folded snugly against the hillside like the bow on a Christmas gift.

I tapped my foot against a rock, feeling rather smug. Well, it had taken me only a handful of months to track the door down, hadn’t it? I’d learned Wendell was looking for a door to his realm in November of last year when we were in Ljosland, and I’d begun researching the question in earnest in March, not long after we returned to Cambridge. And now—after a few twists and turns in Austria—here we were.

I considered and discarded several quips to this effect before deciding it would not be very magnanimous of me, and merely noted, “It’s a pair with the one in St. Liesl.”

Indeed, the door before us was nearly identical in shape and style—it blended into the Greek countryside perfectly, its wooden boards painted with a scene of pale, pebbly stone and sun-dried vegetation. A little patch of rock roses to the left continued into the painting, and these two-dimensional blooms tossed their heads in the breeze in time with their tangible brethren. Even more impossible, to my mortal eyes, was the doorknob, a square of glass enclosing a splash of turquoise sea. This nexus is truly the most peculiar variety of faerie door I have encountered in my career.

1. Unfortunately, my paper on the subject—currently under consideration by the British Journal of Dryadology—is still held up in peer review. It seems many scholars are not yet willing to accept the existence of faerie doors that connect multiple places, and it is possible that I shall have to gather additional evidence to override the skeptics, or perhaps convince other scholars to venture to Austria themselves to test my findings.

Though I’d expected to find i…