The unique and adventurous sounds that German bands like Can, Neu! or Kraftwerk produced in post-war 60s Germany, now known as Krautrock, are considered a blueprint for modern rock music. And the stream of their creative admirers and continuators has been constantly widening since the first fans like David Bowie and Iggy Pop. In Neu Klang , Christoph Dallach interviewed its pioneers and their answers combine to form an oral history that points far beyond the individual band histories.>

Autorentext
Christoph Dallach, born 1964, is a journalist who writes for Die Zeit, ZEITMagazin and Spiegel among others. He lives in Hamburg. Katy Derbyshire comes from London and has lived in Berlin for many years. She translates contemporary German writers including Inka Parei, Clemens Meyer, Helene Hegemann, and Dorothee Elmiger. Katy blogs at love german books and co-hosts a monthly translation lab and the bimonthly Dead Ladies Show.

Klappentext
**"Revelatory and propulsively arranged." - The New York Times** The first ever oral-history of Krautrock, the sound that changed modern music. West Germany, 1968. Like everywhere else in the Western world, the young generation is pushing for radical change, still suffering the after-effects of the Second World War. Many stream out of the lecture halls and onto the streets. Some into the underground. And some into the practice basements, in search of the soundtrack of the movement.

The unique and adventurous sounds that German bands like Can, Neu!, Amon Düül, Popul Vuh, Tangerine Dream, Faust, Cluster or Kraftwerk produced back then, now known as Krautrock, are considered a blueprint for modern rock music. And the stream of their creative admirers and continuators has been constantly widening since the first fans like David Bowie and Iggy Pop: whether Blur, Aphex Twin, Sonic Youth, Radiohead or the Red Hot Chilli Peppers.
In Neu Klang, Christoph Dallach interviews its pioneers, including Irmin Schmidt, Jaki Liebezeit and Holger Czukay of CAN; Neu!'s Michael Rother; Dieter Moebius of Cluster; Klaus Schulze of Tangerine Dream; Karl Bartos of Kraftwerk, Brian Eno and many others. Their answers combine to form an oral history that points far beyond the individual band histories: on the one hand, into the past, to Nazi teachers, post-war parental homes, free jazz, terrorism, LSD and extremely long hair; but just as much into the future, to global recognition, myth-making, techno or post-rock.

Zusammenfassung
The unique and adventurous sounds that German bands like Can, Neu! In Neu Klang, Christoph Dallach interviewed its pioneers and their answers combine to form an oral history that points far beyond the individual band histories.