Arguably the most celebrated and revered writer of our time now gives us a new nonfiction collection--a rich gathering of her essays, speeches, and meditations on society, culture, and art, spanning four decades. The Source of Self-Regard is brimming with all the elegance of mind and style, the literary prowess and moral compass that are Toni Morrison's inimitable hallmark. It is divided into three parts: the first is introduced by a powerful prayer for the dead of 9/11; the second by a searching meditation on Martin Luther King Jr., and the last by a heart-wrenching eulogy for James Baldwin. In the writings and speeches included here, Morrison takes on contested social issues: the foreigner, female empowerment, the press, money, "black matter(s)," and human rights. She looks at enduring matters of culture: the role of the artist in society, the literary imagination, the Afro-American presence in American literature, and in her Nobel lecture, the power of language itself. And here too is piercing commentary on her own work (including The Bluest Eye, Sula, Tar Baby, Jazz, Beloved, and Paradise) and that of others, among them, painter and collagist Romare Bearden, author Toni Cade Bambara, and theater director Peter Sellars. In all, The Source of Self-Regard is a luminous and essential addition to Toni Morrison's oeuvre.

“Close your eyes and make a wish. Wish that one of the most informed, smartest, most successful people in your profession walks into your living room, pulls up a chair and says, “This is what I’ve been thinking. …” That’s “The Source of Self-Regard… The bursts of rumination examine world history, skirt religion, scour philosophy, racism, anti-Semitism, femininity, war and folk tales…There’s even a tidbit or two about her closely guarded personal life. But the real magic is witnessing her mind and imagination at work… This book demonstrates once again that Morrison is more than the standard bearer of American literature. She is our greatest singer. And this book is perhaps her most important song.”
—James McBride, New York Times**
 
“The Source of Self-Regard speaks to today's social and political moment as directly as this morning's headlines... Morrison tackles headfirst the weighty issues that have long troubled America's conscience... profoundly insightful.”
—NPR
 
“Clearly we do not deserve Morrison, and clearly we need her badly...In this collection of nonfiction written over the past four decades, the revered (and sometimes controversial) author reinforces her status as a piercing and visionary analyst of history, society, literature, language, and, always, race... the book explodes into pure brilliance... [It is Morrison’s] definitive statement.”
***—The Boston Globe

***"Dazzlingly heady and deeply personal—a rumination on her literary career and artistic mission, which is to reveal and honor the aching beauty and unfolding drama of African American life... Have there been many minds more intriguing, or writers more sublimely challenging? The Source of Self-Regard excavates Morrison's vast well of knowledge. Open its pages and receive."
—O Magazine
 
"In an era when complex ideas are reduced to slogans and tweets, when language is dumbed down and truth so often debased, The Source of Self-Regard moves with courage and assurance in the opposite direction. What a gift."
—The Tampa Bay Times

"Brilliantly incisive essays, speeches, and meditations considering race, power, identity, and art... Powerful, highly compelling pieces from one of our greatest writers."
**—Kirkus (starred review)

"Morrison turns a critical eye on race, social politics, money, feminism, culture, and the press, with the essential mandate that each of us bears the responsibility for reaching beyond our superficial identities and circumstances for a closer look at what it means to be human."
—Booklist (starred review)***

**"Some superb pieces headline this rich collection...Prescient and highly relevant to the present political moment..."
—Publishers Weekly

Autorentext
TONI MORRISON is the author of eleven novels, from The Bluest Eye (1970) to God Help the Child (2015). She has received the National Book Critics Circle Award and the Pulitzer Prize. In 1993 she was awarded the Nobel Prize in Literature. She lives in New York.

“If there is a book that you want to read, but it hasn't been written yet, you must be the one to write it.”

Bahni Turpin is an ensemble member of the Cornerstone Theater Company in Los Angeles. She has guest starred in many television series, including NYPD Blue, Law & Order, Six Feet Under, Cold Case, What About Brian, and The Comeback. Her film credits include Brokedown Palace, Crossroads, and Daughters of The Dust. Ms. Turpin won the Odyssey Award for* The True Meaning of Smekday *by Adam Rex. She has also received many AudioFile Earphones Awards for her unforgettable narration, including one for Precious by Sapphire, and for the National Book Award finalist and Oprah Book Club Pick The Underground Railroad by Colson Whitehead. She's also a member of the cast recording of The Help, which won numerous awards.

Zusammenfassung
NATIONAL BESTSELLER • Here is the Nobel Prize winner in her own words: a rich gathering of her most important essays and speeches, spanning four decades that "speaks to today’s social and political moment as directly as this morning’s headlines” (NPR).

These pages give us her searing prayer for the dead of 9/11, her Nobel lecture on the power of language, her searching meditation on Martin Luther King Jr., her heart-wrenching eulogy for James Baldwin. She looks deeply into the fault lines of culture and freedom: the foreigner, female empowerment, the press, money, “black matter(s),” human rights, the artist in society, the Afro-American presence in American literature. And she turns her incisive critical eye to her own work (The Bluest Eye, Sula, Tar Baby, Jazz, Beloved, Paradise) and that of others.

An essential collection from an essential writer, The Source of Self-Regard shines with the literary elegance, intellectual prowess, spiritual depth, and moral compass that have made Toni Morrison our most cherished and enduring voice.

Leseprobe
Peril

Authoritarian regimes, dictators, despots are often, but not always, fools. But none is foolish enough to give perceptive, dissident writers free range to publish their judgments or follow their creative instincts. They know they do so at their own peril. They are not stupid enough to abandon control (overt or insidious) over media. Their methods include surveillance, censorship, arrest, even slaughter of those writers informing and disturbing the public. Writers who are unsettling, call­ing into question, taking another, deeper look. Writers—journalists, essayists, bloggers, poets, playwrights—can disturb the social oppres­sion that functions like a coma on the population, a coma despots call peace, and they stanch the blood flow of war that hawks and profiteers thrill to.

That is their peril.

Ours is of another sort.

How bleak, unlivable, insufferable existence becomes when we are deprived of artwork. That the life and work of writers facing peril must be protected is urgent, but along with that urgency we should remind ourselves that their absence, the choking off of a writer’s work, its cruel amputation, is of equal peril to us. The rescue w…