A collection of seventeen wonderful short stories showing that two-time Oscar winner Tom Hanks is as talented a writer as he is an actor. A gentle Eastern European immigrant arrives in New York City after his family and his life have been torn apart by his country's civil war. A man who loves to bowl rolls a perfect game--and then another and then another and then many more in a row until he winds up ESPN's newest celebrity, and he must decide if the combination of perfection and celebrity has ruined the thing he loves. An eccentric billionaire and his faithful executive assistant venture into America looking for acquisitions and discover a down and out motel, romance, and a bit of real life. These are just some of the tales Tom Hanks tells in this first collection of his short stories. They are surprising, intelligent, heartwarming, and, for the millions and millions of Tom Hanks fans, an absolute must-have! Featuring additional performances by Peter Gerety, Peter Scolari, Cecily Strong, Holland Taylor, and Wilmer Valderrama on “Stay With Us.”

ldquo;It turns out that Tom Hanks is also a wise and hilarious writer with an endlessly surprising mind. Damn it.”
—Steve Martin
 
“The central quality to Tom’s writing is a kind of poignant playfulness. It’s exactly what you hope from him, except you wish he were sitting in your home, reading it aloud to you, one story at a time.”
—Mindy Kaling
 
“Wait—Tom Hanks can write, too? Funny, moving, deftly surprising stories? That's just swell. Maybe there's no crying in baseball, pal, but it's perfectly acceptable in the book business. That's how we drown envy.”
—Carl Hiaasen
 
“Mr. Hanks turns out to be as authentically genuine a Writer with as capital a W as ever touched a typewriter key. The stories in UNCOMMON TYPE range from the hilarious to the deeply touching. They move in period, location and manner, but all demonstrate a joy in writing, a pleasure in communicating an intensely American sense of atmosphere, friendship, life and family that is every bit as smart, engaging and humane as the man himself. All with that extra quality of keenly observant and sympathetic intelligence that has always set Tom Hanks apart. I blink, bubble and boggle in amazed admiration.”
—Stephen Fry

“Uncommon Type is funny, wise, gloriously inventive and humane. Tom Hanks sees inside people – a wary divorcee, a billionaire trading desire for disaster, a boy witnessing his father’s infidelity, a motley crew shooting for the moon – with such acute empathy and good humour we’d follow him anywhere. The cumulative effect is of a world I didn’t want to leave.”
—Anna Funder

“Reading Tom Hanks's Uncommon Type is like finding out that Alice Munro is also the greatest actress of our time.”
—Ann Patchett

“Seventeen wide-ranging and whimsical stories—with a typewriter tucked into each one. Only one of the stories in Hanks' debut features an actor: it's a sharp satire with priceless insider details about a handsome dope on a press junket in Europe. The other 16 span a surprisingly wide spectrum...Hanks can write the hell out of typing, and his dialogue is excellent, too. Has he read William Saroyan? He should. While these stories have the all-American sweetness, humor, and heart we associate with his screen roles, Hanks writes like a writer, not a movie star.”
—Kirkus Reviews 

“Uncommon Type offers heartfelt charm along with nostalgia for sweeter, simpler times — even if they never really were quite so sweet or simple… Even when Hanks writes about somber subjects like the durable distress of combat or the high stakes for immigrants fleeing persecution, he finds a sweet spot.”
—NPR
 
“Ultimately if you like Tom Hanks — and who doesn’t? — you will enjoy Uncommon Type.”
—AM New York
 
“In Uncommon Type, Hanks proves his bona fides as a serious scribe, producing a collection of 17 short stories so accomplished and delightful he can rest assured he has a great fallback plan should that acting thing, you know, not work out… Terrific, Tom.”
—USA Today
 
“There is often a powerful sense of other lives imagined at a level that goes deeper than writerly research.”
—The Guardian
 
“Enjoyable..."The Past Is Important to Us” employs a sharp, unexpected conclusion to elevate a story of time travel and romance at the 1939 World’s Fair."
—Publisher's Weekly

“They’re all beautifully written and full of heart.”
—Sunday Mirror, The People
 
“Hanks can write. These pieces, some of which feature recurring characters and many of which explore the classic American short story territory of small-town life, have the authentic, worn-in feel of a favourite pair of jeans.”
—Metro
 
“The great strengths of this collection are decency and sentimentality.”
—Sunday Times
 
“Playful, perceptive and rewarding.”
—Sunday Express
 
“An entertaining collection.”
—Mail on Sunday
 
“impressive.”
—The Sun
 
“There always comes a slight wariness when we discover that someone who is generally renowned for one thing turns out to be very good at something else... But what makes Uncommon Type even harder to dismiss is the silky-smooth momentum and unforced hum that Hanks' writing glides along with here.”
—Irish Independent
 
“All American life is here... Delightful... Hanks’s prose is impressive, with a strong voice and stylistic flair…. so fluent, convincing and confident that you forget it belongs to Tom Hanks, movie star. He's just a writer. And he’s going to write a great novel one day.”
—The Times
 
“[Unveil[s] the inventive mind behind his regular-guy façade”.
—Daily Telegraph
 
“Tom Hanks is a natural born storyteller… He Belongs to a tradition of American storytellers that includes Mark Twain or O Henry although there is a range of work in Uncommon Type that defies such a catch-all definition.”
—The Herald

Autorentext

Tom Hanks

Leseprobe
A Month on Greene Street

The first of August is usually only so notable—the start of the eighth month in the middle of summer on what might or might not be the hottest day ever. But this year, yowza, a lot was going on that day.

Little Sharri Monk was sure to lose another tooth, a partial lunar eclipse was due around 9:15 p.m., and Bette Monk (mother of Sharri; her older sister, Dale; and her younger brother, Eddie) was moving them all into a three-bedroom house on Greene Street. The home so picturesque she knew she would live there the moment she saw the real estate listing. Bette had a vision—pop—of herself and the kids in the kitchen for a busy breakfast. She was manning the stove-top griddle, turning pancakes, the kids in school clothes finishing their homework and fighting over the last of the orange juice*.* Her mental image was so focused, so particular, there was no question the house on Greene Street—oh, that massive sycamore tree in the front yard—would be hers. Theirs.

Bette had visions—was there any other way to put it? Not every day and never with any spiritual glow, but she would sense a flash, she’d see a pop, like a photo of a vacation taken long ago that held complete memories of all that happened before and…