Autorentext

Francine Prose is the author of twenty-three works of fiction including the highly acclaimed Five Weeks in the Country; The Vixen; Mister Monkey; the New York Times bestseller Lovers at the Chameleon Club, Paris 1932; A Changed Man, which won the Dayton Literary Peace Prize; and Blue Angel, which was a finalist for the National Book Award. Her works of nonfiction include the highly praised 1974: A Personal History, Anne Frank: The Book, The Life, The Afterlife, and the New York Times bestseller Reading Like a Writer, which has become a classic. The recipient of numerous grants and honors, including a Guggenheim and a Fulbright, a Director's Fellow at the Center for Scholars and Writers at the New York Public Library, Prose is a former president of PEN American Center, and a member of the American Academy of Arts and Letters and the American Academy of Arts and Sciences. She is a Distinguished Writer in Residence at Bard College.

Klappentext

From the acclaimed, award-winning author of Reading Like a Writer and Lovers at the Chameleon Club, Paris, 1932 comes an utterly original novel inspired by the strange friendship between Charles Dickens and Hans Christian Andersen and set during the summer when Dickens's family life exploded.

In the summer of 1857, when British newspapers warned of an approaching comet about to destroy the earth, an unusual-looking stranger arrived at Charles Dickens's home, Gad's Hill, in the countryside outside London. Dickens had met Hans Christian Andersen at a dinner party, a decade before, and, in a moment of desperation, had invited him to visit.

The visit did not go well. The eccentric Danish author of classic fairy tales, who barely spoke English, outstayed his welcome and alienated the Dickens household, which included nine children. Even the oblivious, obsessively self-conscious Andersen sensed the increasing tension between Dickens and his unhappy wife, Catherine, but was slow to understand--or to believe--that Dickens had fallen in love with a young actress appearing in his new play. For Andersen, those five weeks were a series of social mistakes and embarrassments but ultimately a lesson in how life's most humbling experiences can be transformed into art.

Five Weeks in the Country, a work of imaginative fiction inspired by actual events, is Francine Prose at her dazzling best.