

Beschreibung
Famous today for his Gymnopédies, Satie was an eccentric and solitary figure who was nevertheless viewed by some as a prophet of French musical modernism, his striking creativity championed by Ravel and Debussy. From tragedy and trauma in his early years, thro...| 1 | Introduction | 00:08 | |
| 2 | Sarabandes Nr. 1-3 (Auszug) | 00:08 | |
| 2 | Nr. 2 Sarabande Nr. 2 | 01:03 | |
| 3 | On 16 January 1911, French composer Maurice Ravel... | 08:16 | |
| 4 | Gnossiennes Nr. 1-3 (Auszug) | 08:16 | |
| 4 | Nr. 3 Lent | 01:41 | |
| 5 | An extract from the third movement of Satie's Gnossiennes... | 06:14 | |
| 6 | Valse ballet op. 62 | 01:27 | |
| 7 | The Valse-ballet was not only Satie's first substantial piece... | 02:36 | |
| 8 | Ogives Nr. 1-4 (Auszug) | 02:36 | |
| 8 | Nr. 1 Ogive Nr. 1 | 01:45 | |
| 9 | In November 1886, Satie left the Conservatoire... | 03:12 | |
| 10 | Gnossiennes Nr. 1-3 (Auszug) (bearb. von Claude Debussy) | 03:12 | |
| 10 | Nr. 3 Gnossienne Nr. 3 | 00:59 | |
| 11 | In the spring of 1890, Satie moved higher up... | 03:50 | |
| 12 | Sonneries de la Rose et Croix (Auszug) | 03:50 | |
| 12 | Nr. 1 Air de l'ordre | 01:35 | |
| 13 | On 14 August 1892, after a short but intense period... | 03:11 | |
| 14 | Vexations | 01:22 | |
| 15 | Satie's outward appearance was soon to change... | 04:15 | |
| 16 | Morceaux en forme de poire (Trois morceaux) (für Klavier zu 4 Händen) | 00:45 | |
| 17 | The Pear pieces, finished in November 1903... | 01:45 | |
| 18 | En habit de cheval (für Klavier zu 4 Händen) | 01:16 | |
| 19 | 1911, of course, was the year of the breakthrough concert... | 03:57 | |
| 20 | Sports et divertissements (21 Stücke für Klavier) (Auszug) | 03:57 | |
| 20 | Nr. 1 Choral inappétissant | 00:42 | |
| 21 | The commission of Sports et Divertissements... | 02:01 | |
| 22 | Parade (Ballett) | 02:01 | |
| 22 | Nr. 2 Petite fille américaine | 02:35 | |
| 23 | There was quite a commotion at Parade's premiere... | 04:05 | |
| 24 | Musique d'ameublement (Auszug) (bearb. für Klavier zu 4 Händen) | 04:05 | |
| 24 | Nr. 1 Tapisserie en fer forgé | 01:25 | |
| 25 | Curiously, the function of Satie's Musique d'ameublement... | 03:12 | |
| 26 | Les Aventures de Mercure (Ballett) (Auszug) | 03:12 | |
| 26 | Le Chaos (3. Szene) | 00:35 | |
| 27 | Mercure, like Parade, created quite a stir on it's premiere... | 03:42 | |
| 28 | Relâche (Ballett) (Auszug) | 03:42 | |
| 28 | Cinéma (1. Akt) | 01:15 | |
| 29 | In a sense, critics' response to Relâche... | 02:40 | |
| 30 | Relâche (Ballett) (Auszug) | 02:40 | |
| 30 | La queue du chien (2. Akt) | 00:36 |