Farnsworth's Classical English Metaphor

Praise for Ward Farnsworth:

The Practicing Stoic: A Philosophical User's Manual:

As befits a good Stoic, Farnsworth's expository prose exhibits both clarity and an unflappable calm Throughout The Practicing Stoic, Farnsworth beautifully integrates his own observations with scores of quotations from Epictetus, Seneca, Marcus Aurelius, Montaigne and others. As a result, this isn't just a book to readit's a book to return to, a book that will provide perspective and consolation at times of heartbreak or calamity. Michael Dirda, The Washington Post

It is reported that upon Seneca's tomb are written the words, Who's Minding the Stoa? He would be pleased to know the answer is *Ward Farnsworth.*David Mamet

This is a book any thoughtful person will be glad to have along as a companion for an extended weekend or, indeed, for that protracted journey we call life.The New Criterion

This sturdy and engaging introductory text consists mostly of excerpts from the ancient Greek and Roman Stoic philosophers, especially Seneca, Epictetus through his student Arrian, and Marcus Aurelius as well as that trio's philosophical confreres, from the earlier Hellenic Stoics and Cicero to such contemporaries as Plutarch to moderns, including Montaigne, Adam Smith, and Schopenhauer A philosophy to live by, Stoicism may remind many of Buddhism and Quakerism, for it asks of practitioners something very similar to what those disciplines call mindfulness.Booklist

Farnsworth's Classical English Style:

Mr. Farnsworth has written an original and absorbing guide to English style. Get it if you can.Wall Street Journal

For writers aspiring to master the craft, Farnsworth shows how it's done. For lovers of language, he provides waves of sheer pleasure.Steven Pinker

An eloquent study of the very mechanisms of eloquence.Henry Hitchings

A great and edifying pleasure.Mark Helprin

A storehouse of effective writing, showing the techniques you may freely adapt to make music of your own. The Baltimore Sun**

Farnsworth's Classical English Rhetoric:

I must refrain from shouting what a brilliant work this is (præteritio). Farnsworth has written the book as he ought to have written it and as only he could have written it (symploce). Buy it and read it buy it and read it (epimone).Bryan A. Garner, Garner's Modern English Usage

The most immediate pleasure of this book is that it heightens one's appreciation of the craft of great writers and speakers. Mr. Farnsworth includes numerous examples from Shakespeare and Dickens, Thoreau and Emerson, Winston Churchill and Abraham Lincoln. He also seems keen to rehabilitate writers and speakers whose rhetorical artistry is undervalued; besides his liking for Chesterton, he shows deep admiration for the Irish statesman Henry Grattan (1746-1820), whose studied repetition of a word ('No lawyer can say so; because no lawyer could say so without forfeiting his character as a lawyer') is an instance, we are told, of conduplicatio. But more than anything Mr. Farnsworth wants to restore the reputation of rhetorical artistry per se, and the result is a handsome work of reference.Henry Hitchings, Wall Street Journal

Farnsworth's Classical English Metaphor:

Ward Farnsworth is a witty commentatorIt's a book to dip in and savor.The Boston Globe

Most people will find it a grab-bag of memorable quotations, an ideal browsing book for the nightstand.Michael Dirda, The Washington Post

I want this book to be beside my bed for years to come, a treasure-house of the liquid magic of words.Simon Winchester

A feat of elegant demystificationFarnsworth is able to focus on the finite material of metaphorical referentsa brilliant strategy, both in its utility for writers and the inherent insight Farnsworth's divisions suggest about metaphors.Jonathan Russell Clark, The Millions

Autorentext

Ward Farnsworth is Professor and W. Page Keeton Chair at the University of Texas School of Law. He is author of The Socratic Method, The Practicing Stoic, and the Farnsworth Classical English series which includes Argument, Rhetoric, Metaphor, and Style—all published by Godine.

Klappentext

**“Ward Farnsworth is a witty commentator…a book to dip in and savor.”—The Boston Globe

Say it with metaphor! Here is the most useful and entertaining book ever written about comparisons. It collects the best metaphors ever devised and explains how and why they work.**

The book divides the sources of metaphor into families, such as nature, architecture, animals, and myth. It shows how the most talented writers and speakers have put each kind of material to use—for the sake of caricature, or to make an abstract idea visible, or to make a complicated idea simple. The book provides, along the way, a fascinating tour of insights from novelists, playwrights, philosophers, and other great thinkers. There’s interest and amusement to be found on every page.

This book is part of the Farnsworth’s Classical English series, which also includes entries on rhetoric, style, and argument. Like those other books, this one draws lessons about language from speech and writing that has stood the test of time. It lets you learn from the masters and enjoy them.

Zusammenfassung

Make your writing and speech shine like the sun! Here’s the most entertaining and instructive book about both enlivening and clarifying communication with the art of comparison. “Ward Farnsworth is a witty commentator…It’s a book to dip in and savor.”—The Boston Globe.

The author of Farnsworth’s Classical English Style and Farnsworth’s Classical English Rhetoric now provides a wide-ranging, practical, tour of metaphors, arranged by theme. Chapters include Sources & Uses of Comparisons, The Use of Nature to Describe Abstractions, Extreme People & States, Circumstances, Personification, and The Construction of Similes.

Using hundreds of examples, Farnsworth demonstrates all the different stylistic ways that points can be unforgettably made. There are quotations from novelists, poets, playwrights, philosophers, and orators—along with commentary on how and why they work to bring power to words both in person and on paper.

Farnsworth shows how the best writers have put figurative comparisons to distinctive use—for the sake of caricature, to make an abstract idea visible, to make a complicated idea simple. Writers and speakers, this book will make you a star.