'The Lighthouse was then a silvery, misty-looking tower with a yellow eye that opened suddenly and softly in the evening' To the Lighthouse is at once a vivid impressionistic depiction of a family holiday, and a meditation on marriage, on parenthood and childhood, on grief, tyranny and bitterness. For years now the Ramsays have spent every summer in their holiday home in Scotland, and they expect these summers will go on forever; but as the First World War looms, the integrity of family and society will be fatally challenged. With a psychologically introspective mode, the use of memory, reminiscence and shifting perspectives gives the novel an intimate, poetic essence, and at the time of publication in 1927 it represented an utter rejection of Victorian and Edwardian literary values. The Penguin English Library - collectable general readers' editions of the best fiction in English, from the eighteenth century to the end of the Second World War.

Autorentext
Virginia Woolf, born in 1882, was the major novelist at the heart of the inter-war Bloomsbury Group. Her early novels include The Voyage Out, Night and Day and Jacob's Room. Between 1925 and 1931 she produced her finest masterpieces, including Mrs Dalloway, To the Lighthouse, Orlando and the experimental The Waves. Her later novels include The Years and Between the Acts, and she also maintained an astonishing output of literary criticism, journalism and biography, including the passionate feminist essay A Room of One's Own. Suffering from depression, she drowned herself in the River Ouse in 1941.

Klappentext

To the Lighthouse is at once a vivid impressionistic depiction of a family holiday, and a meditation on marriage, on parenthood and childhood, on grief, tyranny and bitterness. For years now the Ramsays have spent every summer in their holiday home in Scotland, and they expect these summers will go on forever; but as the First World War looms, the integrity of family and society will be fatally challenged. With a psychologically introspective mode, the use of memory, reminiscence and shifting perspectives gives the novel an intimate, poetic essence, and at the time of publication in 1927 it represented an utter rejection of Victorian and Edwardian literary values.