Vaclav Havel's remarkable and rousing essay on the tyranny of apathy, with a new introduction by Timothy Snyder Cowed by life under Communist Party rule, a greengrocer hangs a placard in their shop window: Workers of the world, unite! Is it a sign of the grocer's unerring ideology? Or a symbol of the lies we perform to protect ourselves? Written in 1978, Vaclav Havel's meditation on political dissent - the rituals of its suppression, and the sparks that re-ignite it - would prove the guiding manifesto for uniting Solidarity movements across the Soviet Union. A portrait of activism in the face of falsehood and intimidation, The Power of the Powerless remains a rousing call against the allure of apathy.'Havel's diagnosis of political pathologies has a special resonance in the age of Trump' Pankaj Mishra

Vorwort
One of the most 'original and compelling pieces of political writing' to come out of the Soviet Union, published in Vintage Classics on its fortieth anniversary

Autorentext
Václav Havel was born in Prague on 5 October 1936. The son of a movie producer, Havel first distinguished himself as a poet and playwright in Prague's burgeoning theatre world. The Soviet invasion of Czechoslovakia saw Havel aiding the resistance for which he was later banned from theatre work. Living under Soviet occupation, and having to work as a brewer, Havel became increasingly politically active and was eventually imprisoned for three years following the publication of his 1979 essay, The Power of the Powerless. After the collapse of the Soviet Union in 1989, Havel became President of Czechoslovakia and he was later elected the first President of the Czech Republic. Havel returned to the theatre after retiring from political life, writing two new plays before his death on 18 December 2011. (Author photograph copyright J. Jiroutek 2011)Timothy Snyder has been called 'the leading interpreter of our dark times'. As a historian, he has given us startling reinterpretations of political collapse and mass killing. As a public intellectual, he has turned that knowledge towards counsel and prediction, working against authoritarians and populists. After a quarter century at Yale, he now teaches history at the Munk School in the University of Toronto and his books, which have been published in over forty languages, include Bloodlands, Black Earth, On Tyranny, Road to Unfreedom, Our Malady and On Freedom. His work has inspired poster campaigns and exhibitions, sculptures, a punk rock song, a rap song, a play and an opera, and he has appeared in over fifty films and documentaries.