Informationen zum Autor Tove Ditlevsen was born in 1917 in a working-class neighbourhood in Copenhagen. Her first volume of poetry was published when she was in her early twenties, and was followed by many more books, including the novels The Faces and Vilhelm's Room and her autobiographical masterpiece, Childhood (1967), Youth (1967) and Dependency (1971). She married four times and died by suicide in 1976. Tiina Nunnally is an award-winning translator (from Danish, Norwegian and Swedish) and novelist. She was awarded the prestigious PEN Translation Prize in 2001 for her translation of the third volume of Sigrid Undset's Kristin Lavransdatter , and her translations of Hans Christian Andersen and Tove Ditlevsen for Penguin Classics have been widely praised. Klappentext 'Utterly, agonisingly compulsive ... a masterpiece' Liz Jensen, Guardian Following one woman's journey from a troubled girlhood in working-class Copenhagen through her struggle to live on her own terms, The Copenhagen Trilogy is a searingly honest, utterly immersive portrayal of love, friendship, art, ambition and the terrible lure of addiction, from one of Denmark's most celebrated twentieth-century writers. 'Sharp, tough and tender ... wrenching sadness and pitch-black comedy ... Ditlevsen can pivot from hilarity to heartbreak in a trice' Boyd Tonkin Spectator 'Astonishing, honest, entirely revealing and, in the end, devastating. Ditlevsen's trilogy is remarkable not only for its honesty and lyricism; these are books that journey deep into the darkest reaches of human experience and return, fatally wounded, but still eloquent' Observer 'The best books I have read this year. These volumes slip in like a stiletto and do their work once inside. Thrilling' New Statesman Zusammenfassung 'Utterly, agonisingly compulsive ... a masterpiece' Liz Jensen, Guardian Following one woman's journey from a troubled girlhood in working-class Copenhagen through her struggle to live on her own terms, The Copenhagen Trilogy is a searingly honest, utterly immersive portrayal of love, friendship, art, ambition and the terrible lure of addiction, from one of Denmark's most celebrated twentieth-century writers. 'Sharp, tough and tender ... wrenching sadness and pitch-black comedy ... Ditlevsen can pivot from hilarity to heartbreak in a trice' Boyd Tonkin Spectator 'Astonishing, honest, entirely revealing and, in the end, devastating. Ditlevsen's trilogy is remarkable not only for its honesty and lyricism; these are books that journey deep into the darkest reaches of human experience and return, fatally wounded, but still eloquent' Observer 'The best books I have read this year. These volumes slip in like a stiletto and do their work once inside. Thrilling' New Statesman ...

Autorentext

Tove Ditlevsen was born in 1917 in a working-class neighbourhood in Copenhagen. Her first volume of poetry was published when she was in her early twenties, and was followed by many more books, including the novels The Faces and Vilhelm's Room and her autobiographical masterpiece, Childhood (1967), Youth (1967) and Dependency (1971). She married four times and died by suicide in 1976.

Klappentext

'Utterly, agonisingly compulsive ... a masterpiece' Liz Jensen, Guardian

Following one woman's journey from a troubled girlhood in working-class Copenhagen through her struggle to live on her own terms, The Copenhagen Trilogy is a searingly honest, utterly immersive portrayal of love, friendship, art, ambition and the terrible lure of addiction, from one of Denmark's most celebrated twentieth-century writers.

'Sharp, tough and tender ... wrenching sadness and pitch-black comedy ... Ditlevsen can pivot from hilarity to heartbreak in a trice' Boyd Tonkin Spectator

'Astonishing, honest, entirely revealing and, in the end, devastating. Ditlevsen's trilogy is remarkable not only for its honesty and lyricism; these are books that journey deep into the darkest reaches of human experience and return, fatally wounded, but still eloquent' Observer

'The best books I have read this year. These volumes slip in like a stiletto and do their work once inside. Thrilling' New Statesman