Timothy Morton argues that ecological awareness in the present Anthropocene era takes the form of a strange loop or Möbius strip, twisted to have only one side. Deckard travels this oedipal path in Blade Runner (1982) when he learns that he might be the enemy he has been ordered to pursue. Ecological awareness takes this shape because ecological phenomena have a loop form that is also fundamental to the structure of how things are.

Morton disrupts the customary assumption that industrialization is the root cause of ecological crisis, such crisis being already contained in the agrilogistic drawing of a sharp boundary between human and nonhuman worlds.

Autorentext
Timothy Morton is Rita Shea Guffey Chair in English at Rice University. His books include Ecology Without Nature (2007); The Ecological Thought (2010); Hyperobjects: Philosophy and Ecology After the End of the World (2013); and Realist Magic: Objects, Ontology, Causality (2013); and he has published more than 150 essays on ecology, philosophy, art, literature, music, architecture, and food. He has collaborated with several artists, including Björk, Jennifer Walshe, Olafur Eliasson, Haim Steinbach, Emilija karnulyt, and Pharrell Williams, and blogs regularly at ecologywithoutnature.blogspot.com.

Zusammenfassung
Timothy Morton explores the foundations of the ecological crisis to reestablish our ties to nonhuman beings and rediscover playfulness and joy. Dark ecology puts us in an uncanny position of radical self-knowledge, illuminating our place in the biosphere and our belonging to a species in a sense that is far less obvious than we like to think.

Inhalt
Acknowledgments
Beginning After the End
The First Thread
The Second Thread
The Third Thread
Ending Before the Beginning
Notes
Index