Autorentext

Mike Lemon is assistant professor of practice in Texas Tech’s Graduate School’s Interdisciplinary Studies and Cross-Cultural Studies programs. Robert G. Weiner is popular culture librarian at Texas Tech University.

Robert Moses Peaslee is chair and associate professor in the Department of Journalism and Creative Media Industries at Texas Tech University.

Weiner’s and Peaslee’s work has been published in several journals, and they are coeditors of The Supervillain Reader and The Joker: A Serious Study of the Clown Prince of Crime, both published by University Press of Mississippi, and Web-Spinning Heroics: Critical Essays on the History and Meaning of Spider-Man, as well as Marvel Comics into Film: Essays on Adaptations Since the 1940s (with Matthew J. McEniry).

Klappentext

Contributions by Anthony Burns, Sam Cowling, Geoffrey Daniels, Kristi Gatto, Richard Hall, Stephen Hock, Luke C. Jackson, Mike Lemon, Hector D. Fernández L'Hoeste, Ryan Litsey, Matthew J. McEniry, Ora C. McWilliams, Robert Moses Peaslee, J. Richard Stevens, Will Terrell, Ronald Thomas, and Robert G. Weiner

Nelson Alexander Ross, better known as Alex, has exerted nearly thirty years of profound influence upon sequential art storytelling. Ross emerged into the comics world in the early 1990s with his work on Terminator: Burning Earth, Marvels, and Kingdom Come, immediately establishing his photorealistic style of painting, influenced by Norman Rockwell, Salvador Dali, and Andrew Loomis, among others.

In the years since, Ross has drawn and painted nearly every recognizable character in the Marvel and DC universes, expanded the storytelling capacity of the graphic novel form, and taken home numerous Eisner and Harvey awards. His prolific output can be found across media platforms, from traditional comics to art galleries, from film and television to magazines, toys, and video games, and yet, his work has garnered little academic interest.

This collection offers the first definitive set of scholarly perspectives on Ross’s creative approach, his interventions into sequential art narrative, and his lasting influences upon popular culture. The essays offer wide multidisciplinary perspectives, including art history, spatial theories, literary analysis, political theory, philosophy, pop culture, and more.