This book provides insight into how flamenco travels, the forms it assumes in new locales, and the reciprocal effects on the original scene.

Utilising a postnational approach to cultural identity, Martin explores the role of non-native culture brokers in cultural transmission. This concept, referred to as 'cosmopolitan human hubs', builds on Kiwan and Meinhof's 'hubs' theory of network migration to move cultural migration and globalisation studies forwards. Martin outlines a post-globalisation flamenco culture through analysis of ethnographic research carried out in the UK, Sevilla and Madrid. Insight into these glocal scenes characterises flamenco as a historically globalized art complex, represented in various hubs around the world.

This alternative approach to music migration and globalisation studies will be of interest to students and scholars across leisure studies, musicology, sociology and anthropology.

Examines cultural migration and globalization studies not only through their role at home but also the reciprocal affect on the scene in Spain Questions the concept of flamenco as Spanish national identity and instead suggests it as a historically globalized art complex Provides a detailed examination of the formation and nature of the British flamenco scene

Autorentext
Tenley Martin is Senior Lecturer in Music at Leeds Beckett University, UK.

Inhalt

1. Introduction.- 2. An Overview of Flamenco and Globalisation.- 3. Sevilla: Local Scenes and Ex-Pat Communities.- 4. Madrid: The Consummate Professional Scene.- 5. Flamenca Britannica: One Foot in Andalucía.- 6. Connected by the Compás: An Analysis of Cultural Transmission between Spain and the UK.