Kin: Oprah's Book Club

A magnificent new novel from the bestselling, award-winning author of Vernice and Annie, two motherless daughters raised in Honeysuckle, Louisiana, have been best friends and neighbors since earliest childhood, but are fated to live starkly different lives. Raised by a fierce aunt determined to give her a stable home in the wake of her mother’s death, Vernice leaves Atlanta at eighteen for Spelman College, where she joins a sisterhood of powerfully connected Black women and marries into an affluent family. Annie, abandoned by her dissolute mother as a child, and fixated on the idea of finding her and filling the bottomless hole left by her absence, sets off on a journey that will take her into a world of peril and adversity, as well as love and adventure, and culminate in a battle for her life. A novel about mothers and daughters, about friendship and sisterhood, and the complexities of being a woman in the American South, <Kin< is an exuberant, emotionally rich, unforgettable work from one of the brightest and most irresistible voices in contemporary fiction.

Autorentext

TAYARI JONES is the author of four novels*,* most recently An American Marriage, which was an Oprah’s Book Club selection and also appeared on Barack Obama’s summer reading list and his year-end roundup. It won the Women’s Prize for Fiction, the Aspen Words Literary Prize, and an NAACP Image Award and has been published in two dozen countries. Jones is the C.H. Candler Professor of English and Creative Writing at Emory University and lives in Atlanta.

Klappentext

**A magnificent new novel from the bestselling, award-winning author of An American Marriage—Tayari Jones has written an unforgettable novel that sparkles with wit and intelligence and deep feeling about two lifelong friends whose worlds converge after many years apart in the face of a devastating tragedy.

"Kin is the kind of all-encompassing reading experience I’m always hoping to find: smart and funny and deftly profound. This is Tayari Jones’s very best work.” —Ann Patchett, author of Tom Lake**

Vernice and Annie, two motherless daughters raised in Honeysuckle, Louisiana, have been best friends and neighbors since earliest childhood but are fated to live starkly different lives. Raised by a fierce aunt determined to give her a stable home in the wake of her mother’s death, Vernice leaves Honeysuckle at eighteen for Spelman College, where she joins a sisterhood of powerfully connected Black women and discovers a world of affluence, manners, aspiration, and inequality. Annie, abandoned by her mother as a child and fixated on the idea of finding her and filling the bottomless hole left by her absence, sets off on a journey that will take her into a world of peril and adversity, as well as love and adventure, culminating in a battle for her life.

A novel about mothers and daughters, friendship and sisterhood, and the complexities of being a woman in the American South, Kin is an exuberant, emotionally rich, unforgettable work from one of the brightest and most irresistible voices in contemporary fiction.

Leseprobe
Chapter 1

VERNICE

My first word was “mother,” spoken out loud and with texture. MOTHER. There was a host of witnesses, including Aunt Irene, who called out for God and con­sidered running down the block to fetch the pastor. But before she could even straighten her skirt, she decided that this wasn’t a pot to be stirred by any man’s spoon. It was August, canning season, and the women were gathered to put away snap peas and pole beans. It was Louisiana hot, but even more so, due to the water boiling to purify the mason jars. Aunt Irene, never at home in the kitchen, busied herself plaiting my hair while everyone else hulled and cut up the harvest. The Ward Sisters sang out amid the thick radio static as Aunt Irene added her col­orful soprano to the arrangement. Sitting between her knees, I rested my face on her thigh, still as stone and just as quiet. Sharp against my scalp, a rat-tailed comb created precise parts.

After the death of my parents, I had shown myself to be a peculiar child. No one could say if I was born that way or if I turned that way. I walked early and would do so in my sleep, escaping my crib. I once found my way to the front porch, where I was discovered humming with my face resting on the matted fur of a stray puppy.

At two and a half, I had yet to speak. Folks worried that I was slow. My cradle friend, Annie, was already talking up a storm. She even gave me my nickname, because Vernice had been too many letters for her to hold in her mouth at the same time. “Niecy!” she called, determined to shake loose a response. When shouting didn’t work, she tried kindness, breaking her shortbread cookie in two. I smiled in gratitude, and sometimes offered sloppy baby kisses in return, yet I didn’t say a word.

Annie’s grandmother joked that Aunt Irene should be grate­ful for my silence. Annie never shut up, not even when she was asleep. Shut eyes quivering, she mumbled the name of her own mother, Hattie Lee.

“This baby will talk when she has something to say.” Aunt Irene knew there was quickness in my eyes but feared that see­ing my mama shot dead had shocked the words right out of my mouth. Others worried that I had been taken over. Spirits can be hardheaded and hold grudges—purposely missing their ride to the next place. When this happens, they might just set up house in a defenseless body. Aunt Irene shut that conversation down, dismissing it as “hoodoo”—her catchall word for anything not of this world that didn’t involve our Lord and Savior. That said, even though there could be substance to that hoodoo talk, she knew her dead sister, my mother. When Aunt Irene held my face to hers, she didn’t see Arletha staring back.

Because of this, but not only this, my aunt didn’t indulge any gossip. She knew what it was to be whispered about and couldn’t bear loose tongues lashing an orphan baby. But she was worried for a colored girl who seemed slow, even if she wasn’t, a girl who couldn’t say what had happened to her. I made people nervous, which is probably why no one objected when Aunt Irene ducked out from the canning kitchen and sat on the couch to fix my hair. I had been touched by blood, and not the blood of the lamb.

There I was, this haunted child, not even whimpering as Aunt Irene raked the comb through the thicket at the nape of my neck.

“Mother,” I said, softly at first. As I raised my voice to a bellow, every heart in the house contracted, vulnerable as a scalded tomato gripped in a tiny greedy fist.

Only three women stood in that tight kitchen, but nearly the entire congregation would let the story play on their lips, shar­ing details as vivid as those of any eyewitnesses. Some say their throats closed to hear me call for Arletha, dead by then just over two years. They lost their breaths, the way you choke in your sleep when witches ride your dreams. Annie’s granny said she heard wonder in my voice like I gazed into the eyes of an angel. Aunt Irene said she understood it as a command, her dead sis­ter telling her that I was hers for life. Only Mrs. Ola Mae, the midwife, attended to me. Scooping me into her stout arms, she cooed, “I hear you, baby.” Annie, who had been in the kitchen yapping away, toddled up to Mrs. Ola Mae, arms raised to be held as well. We were both crowded onto her lap. I kept saying my new word over and over, but Annie was quiet for once, suck­ing my thumb as though it were her own.

Women in my family have never been particularly fruitful. My grandmother had only the pair of daughters to show for some …