Girl, Interrupted

Zusatztext "Poignant! honest and triumphantly funny. . . [a] compelling and heartbreaking story." --Susan Cheever! The New York Times Book Review "Tough-minded . . . darkly comic . . . written with indelible clarity."-- Newsweek "[A]n account of a disturbed girl's unwilling passage into womanhood...and here is the girl! looking into our faces with urgent eyes."--Diane Middlebrook! Washington Post Book World Informationen zum Autor SUSANNA KAYSEN has written the novels Asa, As I Knew Him and Far Afield and the memoirs Girl, Interrupted and The Camera My Mother Gave Me. She lives in Cambridge, Massachusetts. Klappentext In 1967, after a session with a psychiatrist she'd never seen before, eighteen-year-old Susanna Kaysen was put in a taxi and sent to McLean Hospital. She spent most of the next two years in the ward for teenage girls in a psychiatric hospital as renowned for its famous clientele-Sylvia Plath, Robert Lowell, James Taylor, and Ray Charles-as for its progressive methods of treating those who could afford its sanctuary. Kaysen's memoir encompasses horror and razor-edged perception while providing vivid portraits of her fellow patients and their keepers. It is a brilliant evocation of a "parallel universe" set within the kaleidoscopically shifting landscape of the late sixties. Girl, Interrupted is a clear-sighted, unflinching document that gives lasting and specific dimension to our definitions of sane and insane, mental illness and recovery. Toward a Topography of the Parallel Universe People ask, How did you get in there? What they really want to know is if they are likely to end up in there as well. I can't answer the real question. All I can tell them is, It's easy. And it is easy to slip into a parallel universe. There are so many of them: worlds of the insane, the criminal, the cnp-pled, the dying, perhaps of the dead as well. These worlds exist alongside this world and resemble it, but are not in it. My roommate Georgina came in swiftly and totally, dur-ing her junior year at Vassar. She was in a theater watching a movie when a tidal wave of blackness broke over her head. The entire world was obliterated--for a few minutes. She knew she had gone crazy. She looked around the theater to see if it had happened to everyone, but all the other people were engrossed in the movie. She rushed out, because the darkness in the theater was too much when combined with the darkness in her head. And after that? I asked her. A lot of darkness, she said. But most people pass over incrementally, making a series of perforations in the membrane between here and there until an opening exists. And who can resist an opening? In the parallel universe the laws of physics are suspended. What goes up does not necessarily come down1 a body at rest does not tend to stay at rest1 and not every action can be counted on to provoke an equal and opposite reaction. Time, too, is different. It may run in circles, flow backward, skip about from now to then. The very arrangement of molecules is fluid: Tables can be clocks; faces, flowers. These are facts you find out later, though. Another odd feature of the parallel universe is that al-though it is invisible from this side, once you are in it you can easily see the world you came from. Sometimes the world you came from looks huge and menacing, quivering like a vast pile of jelly1 at other times it is miniaturized and alluring, a-spin and shining in its orbit. Either way, it can't be discounted. Every window on Alcatraz has a view of San Francisco. The Taxi "You have a pimple," said the doctor. I'd hoped nobody would notice. "You've been picking it," he went on. When I'd woken that morning--early, so as to get to this appointment--the pimple had reached the stage ...

Autorentext

Susanna Kaysen

Klappentext

In 1967, after a session with a psychiatrist she'd never seen before, eighteen-year-old Susanna Kaysen was put in a taxi and sent to McLean Hospital. She spent most of the next two years in the ward for teenage girls in a psychiatric hospital as renowned for its famous clientele-Sylvia Plath, Robert Lowell, James Taylor, and Ray Charles-as for its progressive methods of treating those who could afford its sanctuary.

Kaysen's memoir encompasses horror and razor-edged perception while providing vivid portraits of her fellow patients and their keepers. It is a brilliant evocation of a "parallel universe" set within the kaleidoscopically shifting landscape of the late sixties. Girl, Interrupted is a clear-sighted, unflinching document that gives lasting and specific dimension to our definitions of sane and insane, mental illness and recovery.

Zusammenfassung
30th ANNIVERSARY EDITION • NATIONAL BESTSELLER • In 1967, after a session with a psychiatrist she'd never seen before, eighteen-year-old Susanna Kaysen was put in a taxi and sent to McLean Hospital. Her memoir of the next two years is a "poignant, honest ... triumphantly funny ... and heartbreaking story" (The New York Times Book Review).

**WITH A NEW INTRODUCTION BY THE AUTHOR

The ward for teenage girls in the McLean psychiatric hospital was as renowned for its famous clientele—Sylvia Plath, Robert Lowell, James Taylor, and Ray Charles—as for its progressive methods of treating those who could afford its sanctuary. Kaysen's memoir encompasses horror and razor-edged perception while providing vivid portraits of her fellow patients and their keepers. It is a brilliant evocation of a "parallel universe" set within the kaleidoscopically shifting landscape of the late sixties.

Girl, Interrupted is a clear-sighted, unflinching document that gives lasting and specific dimension to our definitions of sane and insane, mental illness and recovery.

Leseprobe
Toward a Topography of the Parallel Universe

People ask, How did you get in there? What they really want to know is if they are likely to end up in there as well. I can't answer the real question. All I can tell them is, It's easy.

And it is easy to slip into a parallel universe. There are so many of them: worlds of the insane, the criminal, the cnp-pled, the dying, perhaps of the dead as well. These worlds exist alongside this world and resemble it, but are not in it.

My roommate Georgina came in swiftly and totally, dur-ing her junior year at Vassar. She was in a theater watching a movie when a tidal wave of blackness broke over her head. The entire world was obliterated--for a few minutes. She knew she had gone crazy. She looked around the theater to see if it had happened to everyone, but all the other people were engrossed in the movie. She rushed out, because the darkness in the theater was too much when combined with the darkness in her head.

And after that? I asked her.

A lot of darkness, she said.

But most people pass over incrementally, making a series of perforations in the membrane between here and there until an opening exists. And who can resist an opening?   In the parallel universe the laws of physics are suspended. What goes up does not necessarily come down1 a body at rest does not tend to stay at rest1 and not every action can be counted on to provoke an equal and opposite reaction. Time, too, is different. It may run in circles, flow backward, skip about from now to then. The very arrangement of molecules is fluid: Tables can be clocks; faces, flowers.

These are facts you find out later, though.

Another odd feature of the parallel universe is that al-though it is invisible from this side, once you are in it you can easily see the world you came from. Sometimes the world you came from looks huge and menacing, quivering like a vast pile of jelly1 at other times it is miniaturized and alluring, a-spin and shining in its orbit. Either way, it can't be discounted.

Every window on Alcatraz has a view of San Francisco.

The Taxi …