Zusatztext This friendly, helpful, refreshingly nondoctrinaire guide to performing Beethoven is quite far from what appears to be a hornets nest atmosphere in American musicology today. It is addressed to thinking pianists who wish to make up their own minds about what Beethoven may have wanted in his sonatas. It is a book of choices, reasonably argued. Informationen zum Autor Stewart Gordon is a Professor of Keyboard Studies at the Thornton School of Music of the University of Southern California. He is the author of Etudes for Piano Teachers, Mastering the Art of Performance, Planning Your Piano Success, and A History of Keyboard Literature. He has edited the thirty-two Beethoven piano sonatas, the Debussy etudes, and is preparing an edition of the Mozart piano sonatas. Klappentext The thirty-two Piano Sonatas of Ludwig van Beethoven form one of the most important segments of piano literature. In this accessible, compact, and comprehensive guidebook, renowned performer and pedagogue Stewart Gordon presents the pianist with historical insights and practical instructional tools for interpreting the pieces.In the opening chapters of Beethoven's 32 Piano Sonatas, Gordon illuminates the essential historical context behind common performance problems, discussing Beethoven's own pianos and how they relate to compositional style and demands in the pieces, and addressing textual issues, performance practices, and nuances of the composer's manuscript inscriptions. In outlining patterns of structure, sonority, keyboard technique, and emotional meaning evident across Beethoven's compositional development, Gordon provides important background and technical information key to understanding his works in context. Part II of the book presents each sonata in an outline-chart format, giving the student and teacher ready access to essential information, interpretive choices, and technical challenges in the individual works, measure by measure, all in one handy reference source. In consideration of the broad diversity of today's Beethoven interpreters, Gordon avoids one-size-fits-all solutions or giving undue weight to his own tastes and preferences. Instead, he puts the choices in the hands of the performers, enabling them to create their own personal relationship with the music and a more powerful performance. Zusammenfassung In Beethoven's 32 Piano Sonatas, renowned performer and pedagogue Stewart Gordon addresses textual issues, Beethoven's pianos, performance practices, composer's indications, and the composer's development, pointing to patterns of structure, sonority, keyboard technique, and emotional meaning. In addition, each sonata appears in a helpful outline-chart format for easy-access reference. Inhaltsverzeichnis Preface Measure Numbering Part I Considerations Chapter One: Sources Chapter Two: Beethoven and the Piano Chapter Three: Performance Practices Chapter Four: Beethoven's Expressive Legacy Chapter Five: The Windmills of Beethoven's Mind Part II The Sonatas The Opus. 2 set Opus 7 The Opus 10 set Opus 13 "Pathétique" The Opus 14 set Opus 22 Opus 26 The Opus 27 set: sonatas like a fantasy; no. 2 "Moonlight" ;Opus 28 "Pastoral" The Op. 31 set: no. 2 "Tempest;" no. 3 "Hunt" The Op. 49 set: Two "Easy" sonatas Opus 53 "Waldstein" Opus 54 Opus 57 "Appassionata" Opus 78 Opus 79 "alla Tedesca" Opus 81a "Lebewohl" Opus 90 Opus 101 Opus 106 "Hammerklavier" Opus 109 Opus 110 Opus 111 Bibliography ...

Autorentext
Stewart Gordon is a Professor of Keyboard Studies at the Thornton School of Music of the University of Southern California. He is the author of Etudes for Piano Teachers, Mastering the Art of Performance, Planning Your Piano Success, and A History of Keyboard Literature. He has edited the thirty-two Beethoven piano sonatas, the Debussy etudes, and is preparing an edition of the Mozart piano sonatas.

Klappentext

The thirty-two Piano Sonatas of Ludwig van Beethoven form one of the most important segments of piano literature. In this accessible, compact, and comprehensive guidebook, renowned performer and pedagogue Stewart Gordon presents the pianist with historical insights and practical instructional tools for interpreting the pieces. In the opening chapters of Beethoven's 32 Piano Sonatas, Gordon illuminates the essential historical context behind common performance problems, discussing Beethoven's own pianos and how they relate to compositional style and demands in the pieces, and addressing textual issues, performance practices, and nuances of the composer's manuscript inscriptions. In outlining patterns of structure, sonority, keyboard technique, and emotional meaning evident across Beethoven's compositional development, Gordon provides important background and technical information key to understanding his works in context. Part II of the book presents each sonata in an outline-chart format, giving the student and teacher ready access to essential information, interpretive choices, and technical challenges in the individual works, measure by measure, all in one handy reference source. In consideration of the broad diversity of today's Beethoven interpreters, Gordon avoids one-size-fits-all solutions or giving undue weight to his own tastes and preferences. Instead, he puts the choices in the hands of the performers, enabling them to create their own personal relationship with the music and a more powerful performance.

Zusammenfassung
In Beethoven's 32 Piano Sonatas, renowned performer and pedagogue Stewart Gordon addresses textual issues, Beethoven's pianos, performance practices, composer's indications, and the composer's development, pointing to patterns of structure, sonority, keyboard technique, and emotional meaning. In addition, each sonata appears in a helpful outline-chart format for easy-access reference.

Inhalt

• Preface

• Measure Numbering

• Part I

• Considerations

• Chapter One: Sources

• Chapter Two: Beethoven and the Piano

• Chapter Three: Performance Practices

• Chapter Four: Beethoven's Expressive Legacy

• Chapter Five: The Windmills of Beethoven's Mind

• Part II

• The Sonatas

• The Opus. 2 set

• Opus 7

• The Opus 10 set

• Opus 13 "Pathétique"

• The Opus 14 set

• Opus 22

• Opus 26

• The Opus 27 set: sonatas like a fantasy; no. 2 "Moonlight"

• ;Opus 28 "Pastoral"

• The Op. 31 set: no. 2 "Tempest;" no. 3 "Hunt"

• The Op. 49 set: Two "Easy" sonatas

• Opus 53 "Waldstein"

• Opus 54

• Opus 57 "Appassionata"

• Opus 78

• Opus 79 "alla Tedesca"

• Opus 81a "Lebewohl"

• Opus 90

• Opus 101

• Opus 106 "Hammerklavier"

• Opus 109

• Opus 110

• Opus 111

• Bibliography