Combines recent scholarship in new media with the work of canonical theorists such as Derrida, Deleuze, and Haraway
Offers a rigorous exploration of questions of authorship, post-textual adaptations, and intermedia appropriations

Engages with a wide range of media, including novels, comics, television series, films, social media

Autorentext

Christy Desmet is Josiah Meigs Distinguished Teaching Professor at the University of Georgia.

Natalie Loper is Instructor and Assistant Director of First-Year Writing at The University of Alabama.

Jim Casey is Assistant Professor of Shakespeare, Literary Theory, and Cultural Studies at Arcadia University.

Inhalt
1 Introduction.- 2This is not Shakespeare!".- 3 Chasing Shakespeare: The Impurity of the Not Quite in Norry Niven's From Above and Abbas Kiarostami's Where Is My Romeo.- 4 HypeRomeo & Juliet: Postmodern Adaptation and Shakespeare.- 5 I'll always consider myself Mechanical: Cyborg Juliette and the Shakespeare Apocalypse in Hugh Howey's Silo Saga.- 6 Guest Starring Hamlet: The Proliferation of the Shakespeare Meme on American Television.- 7 Romeo Unbound.- 8 Chaste Thinking, Cultural Reiterations: Lucrece and the Violence of The Letter.-9 Paratextual Shakespearings: Comics' Shakespearean Frame.- 10 Thou hast it now: One-on-Ones and the Online Community of Punchdrunk's Sleep No More.- 11 Dirty Rats, Dead for a Ducat: Shakespearean Echoes (and an Accident) in Some Films of James Cagney.- 12 YouShakespeare: Shakespearean Celebrity 2.0.- 13 Finding Shakespeare in Baz Luhrmann's e great gatsby.- 14 surfing with juliet: the dialectics of disney's Teen Beach Movie.- 15 Accidental Erasure: Relocating Shakespeare's Royal Women in Philippa Gregory's The Cousins' War Series.- 16 Scenes of Recognition: Pan's Labyrinth and Warm Bodies as Accidental Shakespeare.