Autorentext
Seicho Matsumoto was born in 1909 in Fukuoka, Japan. Self-educated, Matsumoto published his first book when he was forty years old and he quickly established himself as a master of crime fiction. His exploration of human psychology and Japanese post-war malaise, coupled with the creation of twisting, dark mysteries, made him one of the most acclaimed and best-selling writers in Japan. He received the prestigious Akutagawa Literary Prize in 1950 and the Kikuchi Kan Prize in **1970. He died in 1992. Jesse Kirkwood is a literary translator working from Japanese into English. The recipient of the 2020 Harvill Secker Young Translators' Prize, his translations include Tokyo Express by Seicho Matsumoto, Sympathy Tower Tokyo by Rie Qudan and A Perfect Day to Be Alone by Nanae Aoyama.

Klappentext
**'A master class in motive and character' Alafair Burke

A taut psychological novel about trial by public opinion and how we shape the truth -- now available in English for the first time
**
*Is she a victim or a murderer?

*Onizuka Kumako is a fierce woman: tall, beautiful, and not afraid to speak her mind. In Tokyo bars, she seduces customers and commits petty crime, using her connections to the local yakuza to get by. When she meets Shirakawa Fukutaro, a rich widower desperate for companionship and unaware of her shady past, the two hit it off and are soon married. But their newlywed bliss is suddenly cut short: one rainy July evening, their car veers off course, plunges into the harbour and Fukutaro is pulled beneath the waves.

Suspected of murder and labelled a femme fatale, Kumako is hounded by the press, but stays firm, repeatedly proclaiming her own innocence. As pressure from dogged journalists mounts, the tide of public opinion is rising against her. But when a scrupulous defence lawyer takes on her case, doubt begins to creep in . . .

In this intricate, psychological noir, masterfully translated into English for the first time, Seicho Matsumoto draws out the hidden demons that guide our convictions, our biases and our deepest desires.

Translated from Japanese by Jesse Kirkwood