The product of years of cross-border and cross-disciplinary collaboration, this is an innovative volume of essays situated at the intersection of multi-disciplinary fields: postcolonial/subaltern theory; comparative literary analysis, especially with a South Asian and transnational focus; the study of 'alternative' and 'indigenous' modernities

"Senapati's brilliant novel Six Acres and a Third performs a rare feat, weaving early modern traditions of social critique with an anti-colonial modern sensibility that seems almost post-modern in its reflexivity. This wonderfully stimulating collection of essays brings out the multiple facets of the novel with almost equal freedom by juxtaposing and comparing it to novels across time, regions as well as cultures. Surely a first in postcolonial studies!" - Vasudha Dalmia, Professor of Hindi and Modern South Asian Studies, University of California, Berkeley

"This volume of critical essays on colonialism and modernity revisits the episteme of 'modernity' in a new way by taking into account its non-Western roots. The kind of modernity that Professor Mohanty and other contributors to this volume have identified in the writings of Fakir Mohan Senapati and other Indian writers in the 19th century seems more vibrant and open-ended than its Western counterpart. By combining a pragmatic and empirical approach with a vision of a possible theory of comparative literature born out of an encounter between indigenous and colonial forces, the central thesis of this volume provides a new orientation to comparative literary studies at the present time. Its publication is certainly a landmark event for literary studies." - Prafulla Kar, Director, Centre for Contemporary Theory, Baroda, and former Professor of English, University of Baroda, India.

"The subaltern speaks inthis path-breaking collection on comparative modernities and the interlocking literatures it spawned in the late nineteenth-century colonial period. Senapati's Six Acres and a Third is fascinating for its blend of realist and experimental narrative modes deployed for satire of not only colonialism but also the structures of greed and resistance in Orissan village society. Encompassing a variety of theoretical and historical approaches, the essays attest to Senapati's enduring significance while modeling a comparatism that remaps transnational modernist studies." - Susan Stanford Friedman, Virginia Woolf Professor of English and Women's Studies, University of Wisconsin-Madison

Autorentext
SATYA MOHANTY Professor of English and Minority Studies, Cornell University, USA.

Inhalt
Introduction: Colonialism, Modernity, and Literature: Introducing the Issues; S.P.Mohanty PART I: VIEWS FROM BELOW: COMPARING LITERARY PERSPECTIVES * Critical Realisms in the Global South: Narrative Transculturation in Senapati's Six Acres and a Third and García Márquez's One Hundred Years of Solitude ; J.H.Vargas Views from Above and Below: George Eliot and Fakir Mohan Senapati; P.L.Sawyer Two Classic Tales of Village India: Investigating the Realist Epistemology in Chha Mana Atha Guntha and Godaan; H.S.Mohapatra Girls for Sale and Six Acres: The Shared World of Gurajada Apparao and Fakir Mohan Senapati; V.N.Rao The Emergence of the Modern Subject in Oriya and Assamese Literatures: Fakir Mohan Senapati and Hemchandra Barua; T.Misra 'Why Don't You Speak?': The Narrative Politics of Silence in Three South Asian Novels; U.Anjaria PART II: THE MANY CONTEXTS OF SIX ACRES AND A THIRD Gender and the Representation of Women in Six Acres and a Third; C.Horan Rediscovering Ramachandra Mangaraj. Chha Mana Atha Guntha: A Critique of Colonial Rule; G.N.Dash Tradition-Modernity Dialectic in Six Acres and a Third; D.K.Dash & D.R.Pattanaik Appendix: Hemchandra Barua's Classic Text Bahire Rongsong Bhitare Kowabhaturi (Fair Outside and Foul Within) - Translated from the Assamese by Tilottoma Misra