This book traces the shifting politics of race in contemporary Britain through analysis of screen comedy that has worked to parrot, cloak or confront racist discourse. Moving from 1950s minstrelsy through to contemporary streaming-era content, Ilott demonstrates how race is made and unmade through screen comedy's engagements with the tacit (and often racist) premises of British multicultural discourse. Chapters on the romcom, sitcom and police comedy read selected films and TV shows as counter-narratives on British multiculturalism, intervening in popular discourse that constructs interracial romance as spelling hope for the future, the Black neighbour as inherently threatening, or racially minoritised communities as disproportionately criminal. Drawing on decolonial, critical race and cultural studies perspectives, the study reimagines humour theory as a vehicle for interpreting the affective, political and epistemological significance of comedy to shape processes of racialisation and national identity construction.

Develops a new decolonising framework for humour studies to address the white supremacy of humour theory Includes detailed analysis of 26 British films and television shows dating from 1965-2025 Engages with current debates around free speech, cancel culture, and the mobilisation of racist rhetoric

Autorentext

Sarah Ilott is a Senior Lecturer in English and Film at Manchester Metropolitan University, UK. She co-leads the Centre for Migration and Postcolonial Studies at MMU and the comedy and gender research network Mixed Bill.

Inhalt

Chapter One: Comedy as Racial Harm/Comedy as Racial Justice.- Chapter Two: Screening Multicultural Britain.- Chapter Three: Multicultural Britain in Love.- Chapter Four: Multicultural Britain at Home.- Chapter Five: Policing Multicultural Britain.- Chapter Six: Conclusion: Multicultural Britain Past and Present.