Zusatztext "A Joycean tour de force of a novel! Dhalgren stake[s] a better claim than anything published in the country in the last quarter-century (excepting only Gass's Omensetter's Luck and Nabokov's Pale Fire ) to a permanent place as one of the enduring monuments of our national literature." The Libertarian Review Informationen zum Autor Samuel R. Delany Foreword by William Gibson Klappentext In Dhalgren, perhaps one of the most profound and bestselling science fiction novels of all time, Samuel R. Delany has produced a novel "to stand with the best American fiction of the 1970s" (Jonathan Lethem). Bellona is a city at the dead center of the United States. Something has happened there.... The population has fled. Madmen and criminals wander the streets. Strange portents appear in the cloud-covered sky. And into this disaster zone comes a young man-poet, lover, and adventurer-known only as the Kid. Tackling questions of race, gender, and sexuality, Dhalgren is a literary marvel and groundbreaking work of American magical realism. Leseprobe Prism, Mirror, Lens I to wound the autumnal city. So howled out for the world to give him a name. The in-dark answered with wind. All you know I know: careening astronauts and bank clerks glancing at the clock before lunch; actresses cowling at light-ringed mirrors and freight elevator operators grinding a thumbful of grease on a steel handle; student riots; know that dark women in bodegas shook their heads last week because in six months prices have risen outlandishly; how coffee tastes after you've held it in your mouth, cold, a whole minute. A whole minute he squatted, pebbles clutched with his left foot (the bare one), listening to his breath sound tumble down the ledges. Beyond a leafy arras, reflected moonlight flittered. He rubbed his palms against denim. Where he was, was still. Somewhere else, wind whined. The leaves winked. What had been wind was a motion in brush below. His hand went to the rock behind. She stood up, two dozen feet down and away, wearing only shadows the moon dropped from the viney maple; moved, and the shadows moved on her. Fear prickled one side where his shirt (two middle buttons gone) bellied with a breeze. Muscle made a band down the back of his jaw. Black hair tried to paw off what fear scored on his forehead. She whispered something that was all breath, and the wind came for the words and dusted away the meaning: "Ahhhhh . . ." from her. He forced out air: it was nearly a cough. ". . . Hhhhhh . . ." from her again. And laughter; which had a dozen edges in it, a bright snarl under the moon. ". . . hhhHHhhhh . . ." which had more sound in it than that, perhaps was his name, even. But the wind, wind . . . She stepped. Motion rearranged the shadows, baring one breast. There was a lozenge of light over one eye. Calf and ankle were luminous before leaves. Down her lower leg was a scratch. His hair tugged back from his forehead. He watched hers flung forward. She moved with her hair, stepping over leaves, toes spread on stone, in a tip-toe pause, to quit the darker shadows. Crouched on rock, he pulled his hands up his thighs. His hands were hideous. She passed another, nearer tree. The moon flung gold coins at her breasts. Her brown aureoles were wide, her nipples small. "You. . . ?" She said that, softly, three feet away, looking down; and he still could not make out her expression for the leaf dappling; but her cheek bones were Orientally high. She was Oriental, he realized and waited for another word, tuned for accent. (He could sort Chinese from Japanese.) "You've come!" It was a musical Midwestern Standard. "I didn't know if you'd come!" Her voicing (a clear soprano, whispering . . .) said that some of w...

"A Joycean tour de force of a novel, Dhalgren…stake[s] a better claim than anything published in the country in the last quarter-century (excepting only Gass’s Omensetter’s Luck and Nabokov’s Pale Fire) to a permanent place as one of the enduring monuments of our national literature."–The Libertarian Review

Autorentext

Samuel R. Delany Foreword by William Gibson

Klappentext

In Dhalgren, perhaps one of the most profound and bestselling science fiction novels of all time, Samuel R. Delany has produced a novel "to stand with the best American fiction of the 1970s" (Jonathan Lethem).

Bellona is a city at the dead center of the United States. Something has happened there.... The population has fled. Madmen and criminals wander the streets. Strange portents appear in the cloud-covered sky. And into this disaster zone comes a young man-poet, lover, and adventurer-known only as the Kid. Tackling questions of race, gender, and sexuality, Dhalgren is a literary marvel and groundbreaking work of American magical realism.

Leseprobe
Prism, Mirror, Lens

I

to wound the autumnal city.

So howled out for the world to give him a name.

The in-dark answered with wind.

All you know I know: careening astronauts and bank clerks glancing at the clock before lunch; actresses cowling at light-ringed mirrors and freight elevator operators grinding a thumbful of grease on a steel handle; student riots; know that dark women in bodegas shook their heads last week because in six months prices have risen outlandishly; how coffee tastes after you've held it in your mouth, cold, a whole minute.

A whole minute he squatted, pebbles clutched with his left foot (the bare one), listening to his breath sound tumble down the ledges.

Beyond a leafy arras, reflected moonlight flittered.

He rubbed his palms against denim. Where he was, was still. Somewhere else, wind whined.

The leaves winked.

What had been wind was a motion in brush below. His hand went to the rock behind.

She stood up, two dozen feet down and away, wearing only shadows the moon dropped from the viney maple; moved, and the shadows moved on her.

Fear prickled one side where his shirt (two middle buttons gone) bellied with a breeze. Muscle made a band down the back of his jaw. Black hair tried to paw off what fear scored on his forehead.

She whispered something that was all breath, and the wind came for the words and dusted away the meaning:

"Ahhhhh . . ." from her.

He forced out air: it was nearly a cough.

". . . Hhhhhh . . ." from her again. And laughter; which had a dozen edges in it, a bright snarl under the moon. ". . . hhhHHhhhh . . ." which had more sound in it than that, perhaps was his name, even. But the wind, wind . . .

She stepped.

Motion rearranged the shadows, baring one breast. There was a lozenge of light over one eye. Calf and ankle were luminous before leaves.

Down her lower leg was a scratch.

His hair tugged back from his forehead. He watched hers flung forward. She moved with her hair, stepping over leaves, toes spread on stone, in a tip-toe pause, to quit the darker shadows.

Crouched on rock, he pulled his hands up his thighs.

His hands were hideous.

She passed another, nearer tree. The moon flung gold coins at her breasts. Her brown aureoles were wide, her nipples small. "You. . . ?" She said that, softly, three feet away, looking down; and he still could not make out her expression for the leaf dappling; but her cheek bones were Orientally high. She was Oriental, he realized and waited for another word, tuned for accent. (He could sort Chinese from Japanese.) "You've come!" It was a musical Midwestern Standard. "I didn't know if you'd come!" Her voicing (a clear soprano, whispering . . .) said that some of what he'd thought was shadow-movement might have been fear: "You're here!" She dropped to her knees in a roar of foliage. Her thighs, hard in front, softer (he could tell) on the sides-a column of darkness between them-were inches from his raveled knee…