Assassin's Apprentice (The Illustrated Edition)

In hardcover for the first time ever! A gorgeously illustrated anniversary edition of the book that launched the epic Farseer Trilogy, praised by George R. R. Martin as “fantasy as it ought to be written” and Lin-Manuel Miranda as “an incredible series,” featuring a new foreword by Robin Hobb and ten full-color illustrations. Twenty-five years ago, Robin Hobb’s first novel featuring FitzChivalry Farseer and his mysterious, often maddening friend the Fool struck like a bolt of brilliant lightning. Thus began a beloved saga spanning multiple series, full of adventure, magic, and sinister plots. To celebrate a quarter-century of wonder, this special edition of Assassin’s Apprentice presents a modern classic as it’s never been seen before: in hardcover, with ten beautiful full-color illustrations by Magali Villeneuve. Young Fitz is the bastard son of the noble Prince Chivalry, raised in the shadow of the royal court by his father’s gruff stableman. He is treated as an outcast by all the royalty except the devious King Shrewd, who has him secretly tutored in the arts of the assassin. For in Fitz’s blood runs the magic Skill--and the darker knowledge of a child raised with the stable hounds and rejected by his family. As barbarous raiders ravage the coasts, Fitz is growing to manhood. Soon he will face his first dangerous, soul-shattering mission. And though some regard him as a threat to the throne, he may just be the key to the survival of the kingdom. Praise for Robin Hobb and Assassin’s Apprentice “Fantasy as it ought to be written . . . Robin Hobb’s books are diamonds in a sea of zircons.” --George R. R. Martin “A gleaming debut in the crowded field of epic fantasies . . . a delightful take on the powers and politics behind the throne.” -- Publishers Weekly “This is the kind of book you fall into, and start reading slower as you get to the end, because you don’t want it to be over.” --Steven Brust ...

ldquo;Fantasy as it ought to be written . . . Robin Hobb’s books are diamonds in a sea of zircons.”—George R. R. Martin 
 
“A gleaming debut in the crowded field of epic fantasies . . . a delightful take on the powers and politics behind the throne.”—Publishers Weekly
 
“This is the kind of book you fall into, and start reading slower as you get to the end, because you don’t want it to be over.”—Steven Brust

Autorentext

Robin Hobb

Leseprobe
Chapter 1

The Earliest History

A history of the Six Duchies is of necessity a history of its ruling family, the Farseers. A complete telling would reach back beyond the founding of the First Duchy and, if such names were remembered, would tell us of Outislanders raiding from the sea, visiting as pirates a shore more temperate and gentler than the icy beaches of the Out Islands. But we do not know the names of these earliest forebears.

And of the first real King, little more than his name and some extravagant legends remain. Taker his name was, quite simply, and perhaps with that naming began the tradition that daughters and sons of his lineage would be given names that would shape their lives and beings. Folk beliefs claim that such names were sealed to the newborn babes by magic, and that these royal offspring were incapable of betraying the virtues whose names they bore. Passed through fire and plunged through salt water and offered to the winds of the air; thus were names sealed to these chosen children. So we are told. A pretty fancy, and perhaps once there was such a ritual, but history shows us this was not always sufficient to bind a child to the virtue that named it. . . .

My pen falters, then falls from my knuckly grip, leaving a worm’s trail of ink across Fedwren’s paper. I have spoiled another leaf of the fine stuff, in what I suspect is a futile endeavor. I wonder if I can write this history, or if on every page there will be some sneaking show of a bitterness I thought long dead. I think myself cured of all spite, but when I touch pen to paper, the hurt of a boy bleeds out with the sea-­spawned ink, until I suspect each carefully formed black letter scabs over some ancient scarlet wound.

Both Fedwren and Patience were so filled with enthusiasm whenever a written account of the history of the Six Duchies was discussed that I persuaded myself the writing of it was a worthwhile effort. I convinced myself that the exercise would turn my thoughts aside from my pain and help the time to pass. But each historical event I consider only awakens my own personal shades of loneliness and loss. I fear I will have to set this work aside entirely, or else give in to reconsidering all that has shaped what I have become. And so I begin again, and again, but always find that I am writing of my own beginnings rather than the beginnings of this land. I do not even know to whom I try to explain myself. My life has been a web of secrets, secrets that even now are unsafe to share. Shall I set them all down on fine paper, only to create from them flame and ash? Perhaps.

My memories reach back to when I was six years old. Before that, there is nothing, only a blank gulf no exercise of my mind has ever been able to pierce. Prior to that day at Moonseye, there is nothing. But on that day they suddenly begin, with a brightness and detail that overwhelms me. Sometimes it seems too complete, and I wonder if it is truly mine. Am I recalling it from my own mind, or from dozens of retellings by legions of kitchen maids and ranks of scullions and herds of stable boys as they explained my presence to each other? Perhaps I have heard the story so many times, from so many sources, that I now recall it as an actual memory of my own. Is the detail the result of a six-­year-­old’s open absorption of all that goes on around him? Or could the completeness of the memory be the bright overlay of the Skill, and the later drugs a man takes to control his addiction to it, the drugs that bring on pains and cravings of their own? The last is most possible. Perhaps it is even probable. One hopes it is not the case.

The remembrance is almost physical: the chill grayness of the fading day, the remorseless rain that soaked me, the icy cobbles of the strange town’s streets, even the callused roughness of the huge hand that gripped my small one. Sometimes I wonder about that grip. The hand was hard and rough, trapping mine within it. And yet it was warm, and not unkind as it held mine. Only firm. It did not let me slip on the icy streets, but it did not let me escape my fate, either. It was as implacable as the icy gray rain that glazed the trampled snow and ice of the graveled pathway outside the huge wooden doors of the fortified building that stood like a fortress within the town itself.

The doors were tall, not just to a six-­year-­old boy, but tall enough to admit giants, to dwarf even the rangy old man who towered over me. And they looked strange to me, although I cannot summon up what type of door or dwelling would have looked familiar. Only that these, carved and bound with black iron hinges, decorated with a buck’s head and knocker of gleaming brass, were outside of my experience. I recall that slush had soaked through my clothes, so my feet and legs were wet and cold. And yet, again, I cannot recall that I had walked far through winter’s last curses, nor that I had been carried. No, it all starts there, right outside the doors of the stronghouse, with my small hand trapped inside the tall man’s.

Almost, it is like a puppet show beginning. Yes, I can see it thus. The curtains parted, and there we stood before that great door. The old man lifted the brass knocker and banged it down, on…