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Beschreibung
Zusatztext It is always a treat to read a Nero Wolfe mystery. The man has entered our folklore. The New York Times Book Review Informationen zum Autor Rex Stout (18861975) wrote dozens of short stories, novellas, and full-length mystery novels, most featuring ...Zusatztext It is always a treat to read a Nero Wolfe mystery. The man has entered our folklore. The New York Times Book Review Informationen zum Autor Rex Stout (18861975) wrote dozens of short stories, novellas, and full-length mystery novels, most featuring his two indelible characters, the peerless detective Nero Wolfe and his handy sidekick, Archie Goodwin. Klappentext Nero Wolfe was almost as famous for his wealthy clients and extravagant fees as for his genius at detection. So why has he accepted a case for $4.30? And why have the last two people to hire him been ruthlessly murdered? Wolfe suspects the answers may lie in the story of a twelve-year-old boy who turns up at the door of his West Thirty-fifth Street brownstone. In short order, Wolfe finds himself confronted by one of his most perplexing and pressing cases, involving a curious set of clues: a gray Cadillac, a mysterious woman, and a pair of earrings shaped like spiders dipped in gold. The case is all boiling down to a strange taste of greed-and a grumpy gourmand's unappeasable appetite for truth. Introduction by Linda Barnes "It is always a treat to read a Nero Wolfe mystery. The man has entered our folklore."-The New York Times Book Review A grand master of the form, Rex Stout is one of America's greatest mystery writers, and his literary creation Nero Wolfe is one of the greatest fictional detectives of all time. Together, Stout and Wolfe have entertained-and puzzled-millions of mystery fans around the world. Now, with his perambulatory man-about-town, Archie Goodwin, the arrogant, gourmandizing, sedentary sleuth is back in the original seventy-three cases of crime and detection written by the inimitable master himself, Rex Stout. Zusammenfassung Nero Wolfe was almost as famous for his wealthy clients and extravagant fees as for his genius at detection. So why has he accepted a case for $4.30? And why have the last two people to hire him been ruthlessly murdered? Wolfe suspects the answers may lie in the story of a twelve-year-old boy who turns up at the door of his West Thirty-fifth Street brownstone. In short order! Wolfe finds himself confronted by one of his most perplexing and pressing cases! involving a curious set of clues: a gray Cadillac! a mysterious woman! and a pair of earrings shaped like spiders dipped in gold. The case is all boiling down to a strange taste of greedand a grumpy gourmand's unappeasable appetite for truth. Introduction by Linda Barnes It is always a treat to read a Nero Wolfe mystery. The man has entered our folklore. The New York Times Book Review A grand master of the form! Rex Stout is one of America's greatest mystery writers! and his literary creation Nero Wolfe is one of the greatest fictional detectives of all time. Together! Stout and Wolfe have entertainedand puzzledmillions of mystery fans around the world. Now! with his perambulatory man-about-town! Archie Goodwin! the arrogant! gourmandizing! sedentary sleuth is back in the original seventy-three cases of crime and detection written by the inimitable master himself! Rex Stout. ...
Autorentext
Rex Stout (1886–1975) wrote dozens of short stories, novellas, and full-length mystery novels, most featuring his two indelible characters, the peerless detective Nero Wolfe and his handy sidekick, Archie Goodwin.
Klappentext
Nero Wolfe was almost as famous for his wealthy clients and extravagant fees as for his genius at detection. So why has he accepted a case for $4.30? And why have the last two people to hire him been ruthlessly murdered? Wolfe suspects the answers may lie in the story of a twelve-year-old boy who turns up at the door of his West Thirty-fifth Street brownstone. In short order, Wolfe finds himself confronted by one of his most perplexing and pressing cases, involving a curious set of clues: a gray Cadillac, a mysterious woman, and a pair of earrings shaped like spiders dipped in gold. The case is all boiling down to a strange taste of greed-and a grumpy gourmand's unappeasable appetite for truth.
Introduction by Linda Barnes
"It is always a treat to read a Nero Wolfe mystery. The man has entered our folklore."-The New York Times Book Review
A grand master of the form, Rex Stout is one of America's greatest mystery writers, and his literary creation Nero Wolfe is one of the greatest fictional detectives of all time. Together, Stout and Wolfe have entertained-and puzzled-millions of mystery fans around the world. Now, with his perambulatory man-about-town, Archie Goodwin, the arrogant, gourmandizing, sedentary sleuth is back in the original seventy-three cases of crime and detection written by the inimitable master himself, Rex Stout.
Leseprobe
Chapter 1
When the doorbell rings while Nero Wolfe and I are at dinner, in the old brownstone house on West Thirty-fifth Street, ordinarily it is left to Fritz to answer it. But that evening I went myself, knowing that Fritz was in no mood to handle a caller, no matter who it was.
Fritz’s mood should be explained. Each year around the middle of May, by arrangement, a farmer who lives up near Brewster shoots eighteen or twenty starlings, puts them in a bag, and gets in his car and drives to New York. It is understood that they are to be delivered to our door within two hours after they were winged. Fritz dresses them and sprinkles them with salt, and, at the proper moment, brushes them with melted butter, wraps them in sage leaves, grills them, and arranges them on a platter of hot polenta, which is thick porridge of fine-ground yellow cornmeal with butter, grated cheese, and salt and pepper.
It is an expensive meal and a happy one, and Wolfe always looks forward to it, but that day he put on an exhibition. When the platter was brought in, steaming, and placed before him, he sniffed, ducked his head and sniffed again, and straightened to look up at Fritz.
“The sage?”
“No, sir.”
“What do you mean, no, sir?”
“I thought you might like it once in a style I have suggested, with saffron and tarragon. Much fresh tarragon, with just a touch of saffron, which is the way—”
“Remove it!”
Fritz went rigid and his lips tightened.
“You did not consult me,” Wolfe said coldly. “To find that without warning one of my favorite dishes has been radically altered is an unpleasant shock. It may possibly be edible, but I am in no humor to risk it. Please dispose of it and bring me four coddled eggs and a piece of toast.”
Fritz, knowing Wolfe as well as I did, aware that this was a stroke of discipline that hurt Wolfe more than it did him and that it would be useless to try to parley, reached for the platter, but I put in, “I’ll take some if you don’t mind. If the smell won’t keep you from enjoying your eggs?”
Wolfe glared at me.
That was how Fritz acquired the mood that made me think it advisable for me to answer the door. When the bell rang Wolfe had finished his eggs and was drinking coffee, really a pitiful sight, and I was toward the end of a second helping of the starlings and polenta, which was certainly edible. Going to the hall and the front, I didn’t bother to snap the light switch because there was still enough twilight for me to see, through the one-way glass panel, that the customer on the stoop was not our ship coming in.
I pulled the door open and told him politely, “Wrong number.”
I was polite by policy, my established policy of promoting the idea of peace on earth with the neighborhood kids. It made life smoother in that street, where there was a fair amount of ball throwing and other activities.
“Guess again,” he told me in …
