A “A twisty, immersive whodunit perfect for fans of Donna Tartt’s -- Named a Best Book of 2023 by The riveting new novel -- "part true-crime page-turner, part campus coming-of-age" ( f rom the author of the Pulitzer Prize and National Book Award finalist A successful film professor and podcaster, Bodie Kane is content to forget her past--the family tragedy that marred her adolescence, her four largely miserable years at a New Hampshire boarding school, and the murder of her former roommate, Thalia Keith, in the spring of their senior year. Though the circumstances surrounding Thalia’s death and the conviction of the school’s athletic trainer, Omar Evans, are hotly debated online, Bodie prefers--needs--to let sleeping dogs lie. But when the Granby School invites her back to teach a course, Bodie is inexorably drawn to the case and its increasingly apparent &#64258;aws. In their rush to convict Omar, did the school and the police overlook other suspects? Is the real killer still out there? As she falls down the very rabbit hole she was so determined to avoid, Bodie begins to wonder if she wasn’t as much of an outsider at Granby as she’d thought--if, perhaps, back in 1995, she knew something that might have held the key to solving the case. In <I Have Some Questions for You<, award-winning author Rebecca Makkai has crafted her most irresistible novel yet: a stirring investigation into collective memory and a deeply felt examination of one woman’s reckoning with her past, with a trans&#64257;xing mystery at its heart. Timely, hypnotic, and populated with a cast of unforgettable characters, <I Have Some Questions for You <is at once a compulsive page-turner and a literary triumph....

Autorentext

Rebecca Makkai’s last novel, The Great Believers, was a finalist for both the Pulitzer Prize and the National Book Award; it was the winner of the ALA Carnegie Medal, the Stonewall Book Award, the Clark Prize, and the Los Angeles Times Book Prize; and it was chosen as one of the Ten Best Books of 2018 by The New York Times. Her other books are the novels The Borrower and The Hundred-Year House, and the collection Music for Wartime—four stories from which appeared in The Best American Short Stories. A 2022 Guggenheim Fellow, Rebecca is on the MFA faculties of the University of Nevada, Reno at Lake Tahoe and Northwestern University, and is Artistic Director of StoryStudio Chicago.

Klappentext

*A NEW YORK TIMES* BESTSELLER&#160;

Named a Best Book of 2023 by The Washington Post, People, USA Today, NPR, Esquire, Good Housekeeping, Real Simple, The Boston Globe, CrimeReads and more

“A twisty, immersive whodunit perfect for fans of Donna Tartt’s The Secret History.” —*People&#160;

"Spellbinding."&#160;—The New York Times Book Review

"[An] irresistible literary page-turner." *—The Boston Globe

The riveting new novel&#160;—&#160;"part true-crime page-turner, part campus coming-of-age" (San Francisco Chronicle) — from the author of the Pulitzer Prize and National Book Award finalist The Great Believers

A successful film professor and podcaster, Bodie Kane is content to forget her past—the family tragedy that marred her adolescence, her four largely miserable years at a New Hampshire boarding school, and the murder of her former roommate, Thalia Keith, in the spring of their senior year. Though the circumstances surrounding Thalia’s death and the conviction of the school’s athletic trainer, Omar Evans, are hotly debated online, Bodie prefers—needs—to let sleeping dogs lie.

But when the Granby School invites her back to teach a course, Bodie is inexorably drawn to the case and its increasingly apparent &#64258;aws. In their rush to convict Omar, did the school and the police overlook other suspects? Is the real killer still out there? As she falls down the very rabbit hole she was so determined to avoid, Bodie begins to wonder if she wasn’t as much of an outsider at Granby as she’d thought—if, perhaps, back in 1995, she knew something that might have held the key to solving the case.

In I Have Some Questions for You, award-winning author Rebecca Makkai has crafted her most irresistible novel yet: a stirring investigation into collective memory and a deeply felt examination of one woman’s reckoning with her past, with a trans&#64257;xing mystery at its heart. Timely, hypnotic, and populated with a cast of unforgettable characters, I Have Some Questions for You is at once a compulsive page-turner and a literary triumph.

Leseprobe

1. I first watched the video in 2016. I was in bed on my laptop, with headphones, worried Jerome would wake up and I'd have to explain. Down the hall, my children were sleeping. I could have gone and checked on them, felt their warm cheeks and hot breath. I could have smelled my daughter's hair-and maybe the scent of damp lavender and a toddler's scalp would have been enough to send me to sleep.

   But a friend I hadn't seen in twenty years had just sent me the link, and so I clicked.

   Lerner and Loewe's Camelot. I was both stage manager and tech director. One fixed camera, too close to the orchestra, too far from the unmiked adolescent singers, 1995 VHS quality, some member of the AV club behind the lens. And my God, we knew we weren't great, but we weren't even as good as we thought we were. Whoever uploaded it two decades later, whoever added the notes below with the exact time markers for when Thalia Keith shows up, had also posted the list of cast and crew. Beth Docherty as a petite Guinevere, Sakina John glowing as Morgan le Fay with a crown of gold spikes atop her cornrows, Mike Stiles beautiful and embarrassed as King Arthur. My name is misspelled, but it's there, too.

   The curtain call is the last shot where you clearly see Thalia, her dark curls distinguishing her from the washed-out mass. Then most everyone stays onstage to sing "Happy Birthday" to Mrs. Ross, our director, to pull her up from the front row where she sat every night jotting notes. She's so young, something I hadn't registered then.

   A few kids exit, return in confusion. Orchestra members hop onstage to sing, Mrs. Ross's husband springs from the audience with flowers, the crew comes on in black shirts and black jeans. I don't appear; I assume I stayed up in the box. It would have been like me to sit it out.

   Including the regrouping and singing, the birthday business lasts fifty-two seconds, during which you never see Thalia clearly. In the comments, someone had zoomed in on a bit of green dress at one side of the frame, posted side-by-side photos of that smear of color and the dress Thalia wore-first covered in gauze as Nimue, the enchantress, the Lady of the Lake, and then ungauzed, with a simple headdress, as Lady Anne. But there were several green dresses. My friend Carlotta's was one. There's a chance that, by then, Thalia was gone.

   Most of the discussion below the video focused on timing. The show was set to begin at 7:00, but we likely started our mercifully abridged version five minutes late. Maybe more. The tape omitted intermission, and there was speculation on how long the intermission of a high school musical would last. Depending on what you believe about these two variables, the show ended sometime between 8:45 and 9:15. I should have known. Once, there would have been a binder with my meticulous notes. But no one ever asked for it.

   The window the medical examiner allowed for Thalia's time of death was 8:00 p.m. to midnight, with the beginning of the slot curtailed by the musical-the reason the show's exact end time had become the subject of infi…