The Garden at Orgeval

Après une vie passée à arpenter le monde, Paul Strand finit ses jours à Orgeval, en France. Il consacra ses derniers travaux à la beauté calme de son jardin, un lieu où il redécouvrit l'étude de la forme.

Autorentext
Paul Strand was one of the great photographers of the twentieth century. As a youth, he studied under Lewis Hine at the Ethical Culture Fieldston School, going on to draw acclaim from such illustrious sources as Alfred Stieglitz and David Alfaro Siqueiros. After World War II, Strand traveled around the worldfrom New England to Ghana, France to the Outer Hebridesto photograph, and in the process created a dynamic and significant body of work. Paul Strand was one of the great photographers of the twentieth century. As a youth, he studied under Lewis Hine at the Ethical Culture Fieldston School, going on to draw acclaim from such illustrious sources as Alfred Stieglitz and David Alfaro Siqueiros. After World War II, Strand traveled around the worldfrom New England to Ghana, France to the Outer Hebridesto photograph, and in the process created a dynamic and significant body of work.Joel Meyerowitz is an award-winning photographer whose work has appeared in over 350 exhibitions in museums and galleries around the world. He is a two-time Guggenheim Fellow, a recipient of both National Endowment for the Arts and National Endowment for the Humanities awards, and a recipient of the Deutscher Fotobuchpreis. He has published over fifteen books and lives between Italy and New York.Joel Meyerowitz is an award-winning photographer whose work has appeared in over 350 exhibitions in museums and galleries around the world. He is a two-time Guggenheim Fellow, a recipient of both National Endowment for the Arts and National Endowment for the Humanities awards, and a recipient of the Deutscher Fotobuchpreis. He has published over fifteen books and lives between Italy and New York.Joel Meyerowitz is an award-winning photographer whose work has appeared in over 350 exhibitions in museums and galleries around the world. He is a two-time Guggenheim Fellow, a recipient of both National Endowment for the Arts and National Endowment for the Humanities awards, and a recipient of the Deutscher Fotobuchpreis. He has published over fifteen books and lives between Italy and New York.

Klappentext
After nearly a lifetime of traveling and photographing in far-flung places such as Mexico, Ghana, Italy, Scotland and his adoptive country, France, Paul Strand began to concentrate on the stony beauty of his own garden at Orgeval. The work that constitutes "The Garden at Orgeval" offers a close, exacting study of nature's forms and patterns: tiny button-shaped flowers, cascading winter branches and snarls of twigs. While these photographs exhibit the same directness and precise vision that is so quintessentially Strand, they also reflect his increasing preoccupation with mortality and the fragility of existence.
The photographs in this volume have been selected by the renowned photographer, Joel Meyerowitz--whose own affinity toward the "Orgeval" series stems from a lifetime of photographing in different genres and ultimately, like Strand, returning to nature as an enduring subject. Meyerowitz also contributes an essay responding to Strand's images and reflecting on the contemplation of gardens and the process of aging.
Paul Strand (1890-1976) was one of the greatest photographers of the twentieth century, and among the first to establish photography as an art form. As a youth, he studied under Lewis Hine at the Ethical Culture Fieldston School, going on to win acclaim from the likes of Alfred Stieglitz and David Alfaro Siqueiros. After World War II, Strand traveled around the world--from New England to Ghana, France to the Outer Hebrides--and eventually settled in Orgeval, France, where he spent the remaining 27 years of his life.

Zusammenfassung
Deals with the study of the forms and patterns within nature of tiny buttonshaped flowers, cascading winter branches, and fierce snarls of twigs. This books task is to do credit to Strands final work, both as an individual and as a key figure in Modernist photography.