Why have scholars located the emergence of the novel in eighteenth-century England? What historical forces and stylistic developments helped to turn a disreputable type of writing into an eminent literary form?

This Reader's Guide explores the key critical debates and theories about the rising novel, from eighteenth-century assessments through to present day concerns. Nicholas Seager:
• surveys major criticism on authors such as Aphra Behn, Daniel Defoe, Samuel Richardson, Henry Fielding and Jane Austen
• covers a range of critical approaches and topics including feminism, historicism, postcolonialism and print culture
• demonstrates how critical work is interrelated, allowing readers to discern trends in the critical conversation.

Approachable and stimulating, this is an invaluable introduction for anyone studying the origins of the novel and the surrounding body of scholarship.

Offers a lucid and engaging assessment of the key criticism and debates surrounding a major topic often encountered on undergraduate Literature courses
Surveys essential scholarly writings on widelystudied novels by Austen, Behn, Defoe, Richardson and Fielding
Covers a broad range of approaches and fields of critical enquiry, including historicism, feminism, postcolonial theory and print culture

Autorentext

Nicholas Seager

Inhalt
Acknowledgements.- Introduction.- Eighteenth and Nineteenth-Century Accounts of the Rise of the Novel.- New Criticism to The Rise of the Novel, 1924-1957.- Restructuring the Rise of the Novel, 1958-1985.- Cultural History and the Rise of the Novel, 1980-1989.- Feminism and the Rise of the Novel.- Postcolonialism, Postnationalism and the Rise of the Novel.- Rethinking the Rise of the Novel, 1990-2000.- Print Culture and the Rise of the Novel, 1990-2010.- Thematic Criticism of the Rise of the Novel 1: Family, Law, Sex and Society.- Thematic Criticism of the Rise of the Novel 2: Money, Medicine, Politics and Things.- Conclusion.- Notes.- Bibliography.- Index.