This book develops a philosophy of aesthetic experience through two socially significant philosophical movements: early German Romanticism and early critical theory. In examining the relationship between these two closely intertwined movements, we see that aesthetic experience is not merely a passive response to artit is the capacity to cultivate true personal autonomy, and to critique the social and political context of our lives. Art is political for these thinkers, not only when it paints a picture of society, but even more when it makes us aware of our deeply ingrained forms of experience in a transformative way. Ultimately, the book argues that we have to think of art as a form of truth that is not reducible to communicative rationality or scientific knowledge, and from which philosophy and politics can learn valuable lessons.

Makes a compelling argument that aesthetics revolve around not only the experience of the beautiful, but also knowledge and morality, and thus has implications for politics Provides a unique reading of the analytic and historical connection between early German Romanticism and early Frankfurt School Critical Theory Traces shared political commitments and philosophical concerns of thinkers such as Kant, Schiller, Hölderlin, Schlegel, Benjamin, and Adorno

Autorentext

Nathan Ross is Associate Professor of Philosophy at Oklahoma City University. His first book, On Mechanism in Hegel's Social and Political Philosophy, was published in 2008. He has published essays in Philosophy Today, The Graduate Faculty Philosophy Journal, and Epoché, and**an edited volume on the aesthetic philosophies of Benjamin and Adorno.

Inhalt

1. Introduction.- 2. Aesthetic Semblance and Play as Responses to the Disfigurement of Human Social Existence in Schiller's Aesthetic Education.- 3. Aesthetic Experience at the Limits of Thought in Hölderlin's New Letters on Aesthetic Education.- 4. The Endless Pursuit of Universal Sense in Friedrich Schlegel's Political and Aesthetic Thought.- 5. Walter Benjamin's Philosophy of Critical ExperienceFrom the Romantic Artwork to the Disillusioning of Mimesis.- 6. Aesthetic Truth as the Mimesis of False Consciousness in Adorno's Aesthetic Theory.- 7. Conclusion: The BenjaminAdorno Debate on the Nature of Aesthetic Experience.