Music Business and the Experience Economy is the first book on the music business in Australasia from an academic perspective. In a cross-disciplinary approach, the contributions deal with a wide-range of topics concerning the production, distribution and consumption of music in the digital age. The interrelationship of legal, aesthetic and economic aspects in the production of music in Australasia is also highlighted as well as the emergence of new business models, the role of P2P file sharing, and the live music sector. In addition, the impact of the digital revolution on music experience and valuation, the role of music for tourism and for branding, and last but not least the developments of higher music education, are discussed from different perspectives.

It is the first book on the Australasian music business It brings together academics from different disciplines focusing on the music business It highlights the role of music business in the experience economy and in the digital era Includes supplementary material: sn.pub/extras

Autorentext
Peter Tschmuck is professor of Culture Institutions Studies at the Institute of Culture Management and Culture Studies (IKM) of the University of Music and Performing Arts Vienna. His main research fields are: music industry research, the economics of copyright, the research on cultural institutions and cultural policy evaluation. Professor Philip Pearce supervises doctoral students, conducts research and teaches at all levels in the tourism field. He is particularly interested in components of the experience economy as a way of developing sustainable tourism.

Dr Steven Campbell lectures in music and sound at James Cook University, Australia. As a musician/composer his creative practice is primarily in music technologies within sound art installations, while his scholarly pursuits include topics such as sound art, sound in television and experimental film sound.

Klappentext

Music Business and the Experience Economy is the first book on the music business in Australasia from an academic perspective. In a cross-disciplinary approach, the contributions deal with a wide-range of topics concerning the production, distribution and consumption of music in the digital age. The interrelationship of legal, aesthetic and economic aspects in the production of music in Australasia is also highlighted as well as the emergence of new business models, the role of P2P file sharing, and the live music sector. In addition, the impact of the digital revolution on music experience and valuation, the role of music for tourism and for branding, and last but not least the developments of higher music education, are discussed from different perspectives.

Inhalt
From Discord to Harmony: Connecting Australian Music and Business Through the Experience Economy.- Australian Copyright Regimes and Political Economy of Music.- New Music Production Modes and Indigenous Music in North Queensland and the Torres Strait.- Australian Independent Music and the Experience Economy.- Recorded Music Sales and Music Licencing in Australia, 2000-2011.- P2P File-Sharing: How Does Music File-Sharing Affect Recorded Music Sales in Australia?- Digital Distribution Models Reviewed.- The Landscape of Musical Festivals in Australia.- The Influence of Dirty Pool on the Australian Live Music Industry.- Building Brands with Music.- Australian Music and Aussie Team Sports.- The Valuation of Music in Australia: A Chart Analysis 1988-2011.- Enterprise Learning in Australasian Tertiary Music Education.