**REESE'S BOOK CLUB PICK**

*INSTANT #1 NEW YORK TIMES* BESTSELLER

THE PAPER PALACE IS:**

Filled with secrets, love, lies and a summer beach house. What more could you ask? Parade

A deeply emotional love story the unraveling of secrets, lies and a very complex love triangle. Reese Witherspoon (Reese s Book Club July 21 Pick)

"Nail-biting." Town & Country

*A magnificent page-turner. Cynthia D Aprix Sweeney, New York Times* bestselling author

[An] irresistible placement of a complicated family in a bewitching place. ***The New York Times***

A story of summer, secrets, love, and lies: in the course of a singular day on Cape Cod, one woman must make a life-changing decision that has been brewing for decades.*

This house, this place, knows all my secrets.
**
It is a perfect August morning, and Elle, a fifty-year-old happily married mother of three, awakens at The Paper Palace the family summer place which she has visited every summer of her life. But this morning is different: last night Elle and her oldest friend Jonas crept out the back door into the darkness and had sex with each other for the first time, all while their spouses chatted away inside. Now, over the next twenty-four hours, Elle will have to decide between the life she has made with her genuinely beloved husband, Peter, and the life she always imagined she would have had with her childhood love, Jonas, if a tragic event hadn t forever changed the course of their lives. As Heller colors in the experiences that have led Elle to this day, we arrive at her ultimate decision with all its complexity. Tender yet devastating, The Paper Palace* considers the tensions between desire and dignity, the legacies of abuse, and the crimes and misdemeanors of families.

Autorentext
Miranda Cowley Heller has worked as senior vice president and head of drama series at HBO, developing and overseeing such shows as The Sopranos, Six Feet Under, The Wire, Deadwood, and Big Love, among others. This is her first novel. She grew up spending summers on Cape Cod, and now lives in California.

Klappentext

**REESE'S BOOK CLUB PICK**

*INSTANT #1 NEW YORK TIMES* BESTSELLER

OVER 2 MILLION COPIES SOLD WORLDWIDE

THE PAPER PALACE IS:**

“Filled with secrets, love, lies and a summer beach house. What more could you ask?”—Parade

“A deeply emotional love story…the unraveling of secrets, lies and a very complex love triangle.” —Reese Witherspoon (Reese’s Book Club July ’21 Pick)

"Nail-biting." —Town & Country

*“A magnificent page-turner.” —Cynthia D’Aprix Sweeney, New York Times* bestselling author

“[An] irresistible placement of a complicated family in a bewitching place.” —**The New York Times

A story of summer, secrets, love, and lies: in the course of a singular day on Cape Cod, one woman must make a life-changing decision that has been brewing for decades.*

“This house, this place, knows all my secrets.”

• It is a perfect August morning, and Elle, a fifty-year-old happily married mother of three, awakens at “The Paper Palace”—the family summer place which she has visited every summer of her life. But this morning is different: last night Elle and her oldest friend Jonas crept out the back door into the darkness and had sex with each other for the first time, all while their spouses chatted away inside. Now, over the next twenty-four hours, Elle will have to decide between the life she has made with her genuinely beloved husband, Peter, and the life she always imagined she would have had with her childhood love, Jonas, if a tragic event hadn’t forever changed the course of their lives. As Heller colors in the experiences that have led Elle to this day, we arrive at her ultimate decision with all its complexity. Tender yet devastating, The Paper Palace considers the tensions between desire and dignity, the legacies of abuse, and the crimes and misdemeanors of families.

  Leseprobe

1

Today. August 1, the Back Woods.

**6:30 a.m.

**

Things come from nowhere. The mind is empty and then, inside the frame, a pear. Perfect, green, the stem atilt, a single leaf. It sits in a white ironstone bowl, nestled among the limes, in the center of a weathered picnic table, on an old screen porch, at the edge of a pond, deep in the woods, beside the sea. Next to the bowl is a brass candlestick covered in drips of cold wax and the ingrained dust of a long winter left on an open shelf. Half-eaten plates of pasta, an unfolded linen napkin, dregs of claret in a wine bottle, a breadboard, handmade, rough-hewn, the bread torn not sliced. A mildewed book of poetry lies open on the table. "To a Skylark," soaring into the blue-painful, thrilling-replays in my mind as I stare at the still life of last night's dinner. "The world should listen then, as I am listening now." He read it so beautifully. "For Anna." And we all sat there, spellbound, remembering her. I could look at him and nothing else for eternity and be happy. I could listen to him, my eyes closed, feel his breath and his words wash over me, time and time and time again. It is all I want.

Beyond the edge of the table, the light dims as it passes through the screens before brightening over the dappled trees, the pure blue of the pond, the deep-black shadows of the tupelos at the water's edge where the reach of the sun falters this early in the day. I ponder a quarter-inch of thick, stale espresso in a dirty cup and consider drinking it. The air is raw. I shiver under the faded lavender bathrobe-my mother's-that I put on every summer when we return to the camp. It smells of her, and of dormancy tinged with mouse droppings. This is my favorite hour in the Back Woods. Early morning on the pond before anyone else is awake. The sunlight clear, flinty, the water bracing, the whippoorwills finally quiet.

Outside the porch door, on the small wooden deck, sand has built up between the slats-it needs to be swept. A broom leans against the screen, indenting it, but I ignore it and head down the little path that leads to our beach. Behind me, the door hinges shriek in resistance.

I drop my bathrobe to the ground and stand naked at the water's edge. On the far side of the pond, beyond the break of pine and shrub oak, the ocean is furious, roaring. It must be carrying a storm in its belly from somewhere out at sea. But here, at the edge of the pond, the air is honey-still. I wait, watch, listen . . . the chirping, buzzing of tiny insects, a wind that stirs the trees too gently. Then I wade in up to my knees and dive headlong into the freezing water. I swim out into the deep, past the water lilies, pushed forward by exhilaration, freedom, and an adrenaline rush of nameless panic. I have a shadow-fear of snapping turtles coming up from the depths to bite my heavy breasts. Or perhaps they will be drawn by the smell of sex as I open and close my legs. I'm suddenly overwhelmed by the need to get back to the safety of the shallows, where I can see the sandy bottom. I wish I were braver. But I also love the fear, the catch of breath in my throat, my thrumming heartbeat as I step out of the water.

I wring as much as I can from my long hair, grab a threadbare towel from the clothesline my mother has strung between two scraggly pines, lie down on the warm sand. An electric-blue dragonfly lands on my nipple and perches there before moving on. An ant crawls over the Saharan dunes my body has just created in its path.

Last night I finally fucked him. After all these years of imagining it, never knowing i…