Mary Shelley''s seminal novel of the scientist whose creation becomes a monsterThis edition is the original 1818 text, which preserves the hard-hitting and politically charged aspects of Shelley''s original writing, as well as her unflinching wit and strong female voice. This edition also includes a new introduction and suggestions for further reading by author and Shelley expert Charlotte Gordon, literary excerpts and reviews selected by Gordon and a chronology and essay by preeminent Shelley scholar Charles E. Robinson.>

ldquo;Gordon’s framing is the real standout of the anniversary edition (…) Highly recommended.”
—N. K. Jemisin, The New York Times Book Review
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“Frankenstein is as efficient and resonant a reference today as it was in 1818. . . In this bicentennial year, much will be written about Frankenstein, its adaptations, and whether there exists a definitive or superior version of the novel. . . The 1818 Text is reflective of the thrill and nervous energy that ushered in a new era of science and society. . . But part of what makes it a little unsettling is what makes it so interesting: The chance to watch a 200-year-old novel develop. In a story that's reflected so much of the last two hundred years, and centers so much on choices, storytelling, and the potential for change, it only makes sense that Frankenstein reflects changes within its own creator”
*—Genevieve Valentine, NPR

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  Autorentext
  Mary Shelley (1797-1851), the daughter of pioneering thinkers Mary Wollstonecraft and William Godwin, eloped with the poet Percy Shelley at the age of sixteen. Three years later, during a wet summer on Lake Geneva, Shelley famously wrote her masterpiece, Frankenstein. The years of her marriage were blighted by the deaths of three of her four children, and further tragedy followed in 1822, when Percy Shelley drowned in Italy. Following his death, Mary Shelley returned to England and continued to travel and write until her own death at the age of fifty-three. Charlotte Gordon is a prize-winning poet and biographer. She received her undergraduate degree in English and American Literature from Harvard University and a Ph.D. from Boston University. Since 1986, she has taught creative writing, history, literature, religion, and theatre. Her poetry has won many prizes, including a Robert Penn Warren Award. Her biography of the seventeenth-century poet, Anne Bradstreet, Mistress Bradstreet: The Untold Life of America's First Poet won a Massachusetts Book Award for non-fiction. Her latest book, Romantic Outlaws, tells of the fascinating and eerily similar lives of Mary Wollstonecraft and her daughter Mary Shelley.

  Klappentext
  Mary Shelley's seminal novel of the scientist whose creation becomes a monster

  This edition is the original 1818 text, which preserves the hard-hitting and politically charged aspects of Shelley's original writing, as well as her unflinching wit and strong female voice. This edition also includes a new introduction and suggestions for further reading by author and Shelley expert Charlotte Gordon, literary excerpts and reviews selected by Gordon and a chronology and essay by preeminent Shelley scholar Charles E. Robinson.

  Zusammenfassung
  Mary Shelley’s classic novel, presented in its original 1818 text, with an introduction from National Book Critics Circle award-winner Charlotte Gordon
   
  Nominated as one of America’s best-loved novels by PBS’s The Great American Read
   
  The original 1818 text of Frankenstein preserves the hard-hitting and politically-charged aspects of Shelley’s original writing, as well as her unflinching wit and strong female voice. This edition also emphasizes Shelley’s relationship with her mother—trailblazing feminist Mary Wollstonecraft, who penned A Vindication of the Rights of Woman—and demonstrates her commitment to carrying forward her mother’s ideals, placing her in the context of a feminist legacy rather than the sole female in the company of male poets, including Percy Shelley and Lord Byron.
   
  This edition includes a new introduction and suggestions for further reading by National Book Critics Circle award-winner and Shelley expert Charlotte Gordon, literary excerpts and reviews selected by Gordon, and a chronology and essay by preeminent Shelley scholar Charles E. Robinson.
   
  Penguin Classics is the leading publisher of classic literature in the English-speaking world, representing a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

  Leseprobe
  LETTER I

  To Mrs. Saville, England.

  St. Petersburgh, Dec. 11th, 17—.

  You will rejoice to hear that no disaster has accompanied the commencement of an enterprise which you have regarded with such evil forebodings. I arrived here yesterday; and my first task is to assure my dear sister of my welfare, and increasing confidence in the success of my undertaking.

  I am already far north of London; and as I walk in the streets of Petersburgh, I feel a cold northern breeze play upon my cheeks, which braces my nerves, and fills me with delight. Do you understand this feeling? This breeze, which has travelled from the regions towards which I am advancing, gives me a foretaste of those icy climes. Inspirited by this wind of promise, my day dreams become more fervent and vivid. I try in vain to be persuaded that the pole is the seat of frost and desolation; it ever presents itself to my imagination as the region of beauty and delight. There, Margaret, the sun is for ever visible; its broad disk just skirting the horizon, and diffusing a perpetual splendour. There—for with your leave, my sister, I will put some trust in preceding navigators—there snow and frost are banished; and, sailing over a calm sea, we may be wafted to a laud surpassing in wonders and in beauty every region hitherto discovered on the habitable globe. Its productions and features may be without example, as the phænomena of the heavenly bodies undoubtedly are in those undiscovered solitudes. What may not be expected in a country of eternal light? I may there discover the wondrous power which attracts the needle; and may regulate a thousand celestial observations, that require only this voyage to render their seeming eccentricities consistent for ever. I shall satiate my ardent curiosity with the sight of a part of the world never before visited, and may tread a land never before imprinted by the foot of man. These are my enticements, and they are sufficient to conquer all fear of danger or death, and to induce me to commence this laborious voyage with the joy a child feels when he embarks in a little boat, with his holiday mates, on an expedition of discovery up his native river. But, supposing all these conjectures to be false, you cannot contest the inestimable benefit which I shall confer on all mankind to the last generation, by discovering a passage near the pole to those countries, to reach which at present so many months are requisite; or by ascertaining the secret of the magnet, which, if at all possible, can only be effected by an undertaking such as mine.

  These reflections have dispelled the agitation with which I began my letter, and I feel my heart glow with an enthusiasm which elevates me to heaven; for nothing contributes so much to tranquillize the mind as a steady purpose,—a point on which the soul may fix its intellectual eye. This expedition has been the favourite dream of my early years. I have read with ardour the accounts of the vario…