Trying to make sense of the horrors of World War II, Death relates the story of Liesel--a young German girl whose book-stealing and story-telling talents help sustain her family and the Jewish man they are hiding, as well as their neighbors.

DON’T MISS BRIDGE OF CLAY , MARKUS ZUSAK’S FIRST NOVEL SINCE THE BOOK THIEF . The extraordinary #1 New York Times bestseller that is now a major motion picture, Markus Zusak's unforgettable story is about the ability of books to feed the soul. Nominated as one of America's best-loved novels by PBS’s The Great American Read . When Death has a story to tell, you listen. It is 1939. Nazi Germany. The country is holding its breath. Death has never been busier, and will become busier still. Liesel Meminger is a foster girl living outside of Munich, who scratches out a meager existence for herself by stealing when she encounters something she can’t resist–books. With the help of her accordion-playing foster father, she learns to read and shares her stolen books with her neighbors during bombing raids as well as with the Jewish man hidden in her basement. In superbly crafted writing that burns with intensity, award-winning author Markus Zusak, author of I Am the Messenger, has given us one of the most enduring stories of our time. “The kind of book that can be life-changing.” -- The New York Times “Deserves a place on the same shelf with The Diary of a Young Girl by Anne Frank.” -- USA Today

ldquo;Brilliant and hugely ambitious…Some will argue that a book so difficult and sad may not be appropriate for teenage readers…Adults will probably like it (this one did), but it’s a great young-adult novel…It’s the kind of book that can be life-changing, because without ever denying the essential amorality and randomness of the natural order, The Book Thief offers us a believable hard-won hope…The hope we see in Liesel is unassailable, the kind you can hang on to in the midst of poverty and war and violence. Young readers need such alternatives to ideological rigidity, and such explorations of how stories matter. And so, come to think of it, do adults.” -New York Times

"The Book Thief is unsettling and unsentimental, yet ultimately poetic. Its grimness and tragedy run through the reader's mind like a black-and-white movie, bereft of the colors of life. Zusak may not have lived under Nazi domination, but The Book Thief deserves a place on the same shelf with The Diary of a Young Girl by Anne Frank and Elie Wiesel's Night. It seems poised to become a classic." -USA Today

"Zusak doesn’t sugarcoat anything, but he makes his ostensibly gloomy subject bearable the same way Kurt Vonnegut did in Slaughterhouse-Five: with grim, darkly consoling humor.” -Time Magazine

"Elegant, philosophical and moving...Beautiful and important." -Kirkus Reviews, Starred

"This hefty volume is an achievement...a challenging book in both length and subject..." -Publisher's Weekly, Starred 

"One of the most highly anticipated young-adult books in years." -The Wall Street Journal

"Exquisitely written and memorably populated, Zusak's poignant tribute to words, survival, and their curiously inevitable entwinement is a tour de force to be not just read but inhabited." -The Horn Book Magazine, Starred

"An extraordinary narrative." -SLJ, Starred

Autorentext

Markus Zusak

Klappentext

The extraordinary #1 New York Times bestseller about the ability of books to feed the soul even in the darkest of times.

Nominated as one of America's best-loved novels by PBS's The Great American Read.

When Death has a story to tell, you listen.

It is 1939. Nazi Germany. The country is holding its breath. Death has never been busier, and will become busier still.

Liesel Meminger is a foster girl living outside of Munich, who scratches out a meager existence for herself by stealing when she encounters something she can't resist-books. With the help of her accordion-playing foster father, she learns to read and shares her stolen books with her neighbors during bombing raids as well as with the Jewish man hidden in her basement.

In superbly crafted writing that burns with intensity, award-winning author Markus Zusak, author of I Am the Messenger, has given us one of the most enduring stories of our time.

"The kind of book that can be life-changing." -The New York Times

"Deserves a place on the same shelf with The Diary of a Young Girl by Anne Frank." -USA Today

DON'T MISS BRIDGE OF CLAY, MARKUS ZUSAK'S FIRST NOVEL SINCE THE BOOK THIEF.

Zusammenfassung
#1 NEW YORK TIMES BESTSELLER • ONE OF TIME MAGAZINE’S 100 BEST YA BOOKS OF ALL TIME • A NEW YORK TIMES READER TOP 100 PICK FOR BEST BOOKS OF THE 21ST CENTURY • A KIRKUS REVIEWS BEST YOUNG ADULT BOOK OF THE CENTURY**

The extraordinary, beloved novel about the ability of books to feed the soul even in the darkest of times.**

When Death has a story to tell, you listen.

It is 1939. Nazi Germany. The country is holding its breath. Death has never been busier, and will become busier still.

Liesel Meminger is a foster girl living outside of Munich, who scratches out a meager existence for herself by stealing when she encounters something she can’t resist–books. With the help of her accordion-playing foster father, she learns to read and shares her stolen books with her neighbors during bombing raids as well as with the Jewish man hidden in her basement.

In superbly crafted writing that burns with intensity, award-winning author Markus Zusak, author of I Am the Messenger, has given us one of the most enduring stories of our time.

“The kind of book that can be life-changing.” —The New York Times

“Deserves a place on the same shelf with The Diary of a Young Girl by Anne Frank.” —USA Today

DON’T MISS BRIDGE OF CLAY, MARKUS ZUSAK’S FIRST NOVEL SINCE THE BOOK THIEF.

Leseprobe
DEATH AND CHOCOLATE

First the colors.
Then the humans.
That's usually how I see things.
Or at least, how I try.

HERE IS A SMALL FACT 
You are going to die.

I am in all truthfulness attempting to be cheerful about this whole topic, though most people find themselves hindered in believing me, no matter my protestations. Please, trust me. I most definitely can be cheerful. I can be amiable. Agreeable. Affable. And that's only the A's. Just don't ask me to be nice. Nice has nothing to do with me.

Reaction to the 
AFOREMENTIONED fact
Does this worry you?
I urge you--don't be afraid.
I'm nothing if not fair.

--Of course, an introduction.
A beginning.
Where are my manners?
I could introduce myself properly, but it's not really necessary. You will know me well enough and soon enough, depending on a diverse range of variables. It suffices to say that at some point in time, I will be standing over you, as genially as possible. Your soul will be in my arms. A color will be perched on my shoulder. I will carry you gently away.
At that moment, you will be lying there (I rarely find people standing up). You will be caked in your own body. There might be a discovery; a scream will dribble down the air. The only sound I'll hear after that will be my own breathing, and the sound of the smell, of my footsteps.
The question is, what color will everything be at that moment when I come for you? What will the sky be saying?
Personally, I like a chocolate-colored sky. Dark, dark chocolate. People say it suits me. I do, however, try to enjoy every color I see--the whole spectrum. A billion or so flavors…