Practices of Looking

Autorentext

Marita Sturken, New York University Lisa Cartwright, University of California at San Diego

Klappentext

An engaging introduction to the study of visual culture, Practices of Looking bridges visual, communication, media, and cultural studies to investigate how images and the activity of looking carry meaning within and between different arenas in everyday life. The fourth edition has been updated to represent the contemporary visual cultural landscape and includes topics like the increasingly rapid global circulation of media, the rise of design and DIY cultures, digital media art and activism, and challenges to photojournalism and news media. Engaging and accessible, Practices of Looking is ideal for courses across a range of disciplines.

Inhalt

• Acknowledgements
• Introduction
• Chapter 1. Images, Power, and Politics
• Representation
• Vision and Visuality
• The Myth of Photographic Truth
• Myth, Connotation, and the Meaning of Images
• Semiotics and Signs
• Images and Ideology
• Image Icons
• Chapter 2. Viewers Make Meaning
• Producers' Intended Meanings
• Aesthetics and Taste
• Value, Collecting, and Institutional Critique
• Reading Images as Ideological Subjects
• Viewing Strategies
• Appropriation and Re-Appropriation
• Chapter 3. Modernity: Spectatorship, the Gaze, and Power
• Modernity and the Modern City
• Modernism
• The Concept of the Modern Subject
• Spectatorship and the Gaze
• Power and the Surveillance Gaze
• The Other
• Gender and the Gaze
• Gaming and the Gaze
• Chapter 4. Realism and Perspective:
• From Renaissance Painting to Digital Media
• Types of Realism
• Perspective
• Perspective and the Body
• The Camera Obscura
• Challenges to Perspective
• Perspective in Digital Media
• Chapter 5. Visual Technologies:
• Image Reproduction, Generation, and the Copy
• Visualization and Technology
• Visual Technologies
• The Reproduced Image and the Copy
• Walter Benjamin and Mechanical Reproduction
• The Politics of Reproducibility
• Ownership and Copyright
• Reproduction and the Digital Image
• 3D Reproduction and Simulation
• Chapter 6. Media Culture
• Media, Singular and Plural
• Propaganda and the Media Environment
• Popular Culture Studies
• Media Geographies
• Media Infrastructures
• Media as Nation and Public Sphere
• Citizen Journalism
• Global Media Events
• Chapter 7. Brand Culture: Visual Culture and the Spaces of Consumption
• Consumer Societies and the Spaces of
• Modern Consumerism
• Brands as Image, Symbol, and Icon
• Brand Ideologies and Commodity Fetishism
• The Knowing Consumer
• Selling Social Awareness
• Chapter 8. The Postmodernism Condition and Twenty-First Futurisms
• The Postmodern Condition
• Poststructuralism in the Wake of the Holocaust
• Atomic Media
• Postmodern Architecture in Social Context
• Kitsch and the Vernacular
• Futurisms and Simulation
• Reflexivity And Distanced Knowing
• Appropriation and Postmodern Subjectivity
• Remix, Parody, and Pastiche
• Chapter 9. Visual Cultures of Data and Science
• Numbers and Structures of Feeling
• Modern Western Science and the Data Body
• Evidence, Classification, and Normative Science
• Bodily Interiors and Biomedical Personhood
• Biopower and the Quantified Self
• The Genetic and Digital Body
• Data in the Global Pandemic
• The Infodemic: Data in the Service of Propaganda
• The Sensory Body, the Cyborg, and Disability
• Chapter 10. The World Image and Globalization
• Being in the World
• The Universal Image: A Star is Born
• The World Image
• Geolocation
• The Digital Twin and the Point Cloud
• The World Ocean
• The Cloud Image
• Concepts of Globalization
• Social Movements and Visual Activism
• The Global Museum
• Refugees and Borders
• Glossary
• Credits
• Index