When it was first produced in 1959, 'A Raisin in the Sun' was awarded the New York Drama Critics Circle Award for that season and hailed as a watershed in American drama. A pioneering work by an African-American playwright, the play was a radically new representation of black life.

Zusatztext A beautiful! lovable play. It is affectionately human! funny and touching. . . . A work of theatrical magic in which the usual barrier between audience and stage disappears. John Chapman! New York News An honest! intelligible! and moving experience. Walter Kerr! New York Herald Tribune Miss Hansberry has etched her characters with understanding! and told her story with dramatic impact. She has a keen sense of humor! an ear for accurate speech and compassion for people. Robert Coleman! New York Mirror A Raisin in the Sun has vigor as well as veracity. Brooks Atkinson! New York Times It is honest drama! catching up real people. . . . It will make you proud of human beings. Frank Aston! New York World-Telegram & Sun A wonderfully emotional evening. John McClain! New York Journal American Informationen zum Autor Lorraine Hansberry Klappentext "Never before, the entire history of the American theater, has so much of the truth of black people's lives been seen on the stage," observed James Baldwin shortly before A Raisin in the Sun opened on Broadway in 1959. Indeed Lorraine Hansberry's award-winning drama about the hopes and aspirations of a struggling, working-class family living on the South Side of Chicago connected profoundly with the psyche of black America--and changed American theater forever. The play's title comes from a line in Langston Hughes's poem "Harlem," which warns that a dream deferred might "dry up/like a raisin in the sun." "The events of every passing year add resonance to A Raisin in the Sun," said The New York Times. "It is as if history is conspiring to make the play a classic." This Modern Library edition presents the fully restored, uncut version of Hansberry's landmark work with an introduction by Robert Nemiroff.INTRODUCTION by Robert Nerniroff This is the most complete edition of A Raisin in the Sun ever published. Like the American Playhouse production for television, it restores to the play two scenes unknown to the general public, and a number of other key scenes and passages staged for the first time in twenty-fifth anniversary revivals and, most notably, the Roundabout Theatre's Kennedy Center production on which the television picture is based. "The events of every passing year add resonance to A Raisin in the Sun. It is as if history is conspiring to make the play a classic"; ". . . one of a handful of great American dramas ... A Raisin in the Sun belongs in the inner circle, along with Death of a Salesman, Long Day's Journey into Night, and The Glass Menagerie." So wrote The New York Times and the Washington Post respectively of Harold Scott's revelatory stagings for the Roundabout in which most of these elements, cut on Broadway, were restored. The unprecedented resurgence of the work (a dozen regional revivals at this writing, new publications and productions abroad, and now the television production that will be seen by millions) prompts the new edition. Produced in 1959, the play presaged the revolution in black and women's consciousness-and the revolutionary ferment in Africa-that exploded in the years following the playwright's death in 1965 to ineradicably alter the social fabric and consciousness of the nation and the world. As so many have commented lately, it did so in a manner and to an extent that few could have foreseen, for not only the restored material, but much else that passed unnoticed in the play at the time, speaks to issues that are now inescapable: value systems of the black family; concepts of African American beauty and identity; class and generational conflicts; the relationships of husbands and wives, black men and women; the outspoken (if then yet unnamed) feminism of the daughter; and, in the penultimate scene between Beneatha and Asagai, the larger stat...

8220;A beautiful, lovable play. It is affectionately human, funny and touching. . . . A work of theatrical magic in which the usual barrier between audience and stage disappears.”

John Chapman, New York News

“An honest, intelligible, and moving experience.”
Walter Kerr, New York Herald Tribune

“Miss Hansberry has etched her characters with understanding, and told her story with dramatic impact. She has a keen sense of humor, an ear for accurate speech and compassion for people.”
Robert Coleman, New York Mirror

“A Raisin in the Sun has vigor as well as veracity.”
Brooks Atkinson, **New York *Times

• “It is honest drama, catching up real people. . . . It will make you proud of human beings.”
  Frank Aston, New York World-Telegram & Sun

“A wonderfully emotional evening.”
John McClain, New York *Journal American

Autorentext

Lorraine Hansberry

Klappentext

"Never before, the entire history of the American theater, has so much of the truth of black people's lives been seen on the stage," observed James Baldwin shortly before A Raisin in the Sun opened on Broadway in 1959.

Indeed Lorraine Hansberry's award-winning drama about the hopes and aspirations of a struggling, working-class family living on the South Side of Chicago connected profoundly with the psyche of black America--and changed American theater forever. The play's title comes from a line in Langston Hughes's poem "Harlem," which warns that a dream deferred might "dry up/like a raisin in the sun."

"The events of every passing year add resonance to A Raisin in the Sun," said The New York Times. "It is as if history is conspiring to make the play a classic." This Modern Library edition presents the fully restored, uncut version of Hansberry's landmark work with an introduction by Robert Nemiroff.

Leseprobe
INTRODUCTION

by Robert Nerniroff

This is the most complete edition of A Raisin in the Sun ever published. Like the American Playhouse production for television, it restores to the play two scenes unknown to the general public, and a number of other key scenes and passages staged for the first time in twenty-fifth anniversary revivals and, most notably, the Roundabout Theatre's Kennedy Center production on which the television picture is based.

"The events of every passing year add resonance to A Raisin in the Sun. It is as if history is conspiring to make the play a classic"; ". . . one of a handful of great American dramas ... A Raisin in the Sun belongs in the inner circle, along with Death of a Salesman, Long Day's Journey into Night, and The Glass Menagerie." So wrote The New York Times and the Washington Post respectively of Harold Scott's revelatory stagings for the Roundabout in which most of these elements, cut on Broadway, were restored. The unprecedented resurgence of the work (a dozen regional revivals at this writing, new publications and productions abroad, and now the television production that will be seen by millions) prompts the new edition.

Produced in 1959, the play presaged the revolution in black and women's consciousness-and the revolutionary ferment in Africa-that exploded in the years following the playwright's death in 1965 to ineradicably alter the social fabric and consciousness of the nation and the world. As so many have commented lately, it did so in a manner and to an extent that few could have foreseen, for not only the restored material, but much else that passed unnoticed in the play at the time, speaks to issues that are now inescapable: value systems of the black family; concepts of African American beauty and identity; class and generational conflicts; the relationships of husbands and wives, black men and women; the outspoken (if then yet unnamed) f…