This book explores how six American writers have artistically responded to the racialization of U.S. frostbelt cities in the twentieth century. Using the critical tools of spatial theory, critical race theory, urban history and sociology, Simpson explains how these writers imagine the subjective response to the race-making power of space.

"Taking the ghetto as a race-making institution dependent on technologies of im/mobility, Tyrone Simpson offers a lucid analysis of the urban ecology of twentieth century U.S. fiction. Giving new meaning to the fine art of close reading, he approaches the spatial as a dense psychic territory, one that requires an interdisciplinary array of knowledges to adequately parse. This is a vibrant literary engagement with critical race theory." - Robyn Wiegman, Professor, Literature and Women's Studies, Duke University, author of American Anatomies: Theorizing Race and Gender and Object Lessons

'Tyrone Simpson gives us a compelling portrait of the historic pain and hope seared into America's rust belt ghettos. Under Simpson's deft prose, a new voice to understanding these racialized spaces the engaged writer is powerfully revealed.' - David Wilson, University of Illinois at Urbana-Champaign

Autorentext
TYRONE R. SIMPSON II is an Assistant Professor in the Department of English and Urban Studies, Africana Studies, and American Culture at Vassar College, USA.

Inhalt
Introduction: Living for the City: Reading Twentieth Century Ghettoes in Postmodern Times "The Love of Colour in Me": Anzia Yezierska's Bread Givers (1928) and the Space of White Racial Manufacture "To Make a Man Out of You: Masculine Fantasies and White Failure in Michael Gold's Jews Without Money (1930)" "Jammed in Hemispherical Blackness": Looking Through Campy Transvestitism in Hubert Selby Jr.'s Last Exit to Brooklyn "'Enough to Make a Body Riot': Chester Himes, Melancholia, and the Postmodern Renovation" "In a World with No Address": Rescuing Ghetto Patriarchy in The Women of Brewster Place And the Arc of His Witness Explained Nothing: Black Flanerie and Traumatic Photorealism in Wideman's Two Cities Conclusion: Beyond the Manichean Literary Ghetto?